The Rivals theatre review: Classic comedy revival is gorgeous but awkwardly updated 3/5 This 250th anniversary revival of Sheridan’s play transports it to the Jazz Age but doesn’t always make it swing Evening Standard · Jan 3
Entertaining Mr Sloane review: 'Simply too nice, even at its nastiest' 2/5 Joe Orton’s twisted comedy about sex and class should be ripe for a modern revival but here it is more Carry On than carnal Evening Standard · Sep 29, 2025
Sophie Melville and Laura Whitmore star in Apex Predator's entertaining take on London vampires 3/5 Bloodsuckers, societal breakdown and psychological horror all feature in this comic-gothic drama Evening Standard · Apr 2, 2025
A Face in the Crowd, review: Elvis Costello’s satirical musical isn’t extreme enough to skewer Trump Costello and playwright Sarah Ruhl adapt the 1957 film about the rise of a populist demagogue in this new, uneven Young Vic production The Independent UK · Sep 21, 2024
Nachtland review – a provocative plunge into art history The discovery of what could be a painting by Hitler leads to a moral quagmire in Patrick Marber’s punchy staging of Marius von Mayenburg’s play The Guardian - UK · Feb 28, 2024
The Turn of the Screw review – haunting, claustrophobic staging keeps the tension high Isabelle Kettle’s new production of Britten’s chamber opera works well in the tiny Ustinov studio, blessed with a strong cast and many imaginative touches The Guardian - UK · Dec 7, 2023
Dreaming and Drowning review – a visceral but lyrical look at anxiety and acceptance Kwame Owusu’s language dances on the tongue of athletic performer Tienne Simon in this monologue about a young, sci-fi-loving gay man’s struggles to fit in and find love The Guardian - UK · Dec 3, 2023
Great Expectations review – Bengal in 1905 is tailor-made for Dickens Tanika Gupta brings authority and nuance to her adaptation, exploring class, colonialism, partition and invasion – and finding unexpected resonance The Guardian - UK · Sep 14, 2023
As You Like It review – gender-fluid version plays too freely with the text Ellen McDougall’s inclusive production is wonderfully warm and flirty – especially in the scenes between Rosalind and Celia – but uneven and confusing as a whole The Guardian - UK · Aug 31, 2023
The Empress review – resonant survival tales of Victorian Britain Tanika Gupta’s historical drama has only got more relevant since 2013, but there’s an awful lot of migration stories to get through in three hours The Guardian - UK · Jul 19, 2023
As You Like It review – age-blind anti-production pulls the rug on Arden A bewitching cast cleverly turns Shakespeare into improv comedy in a backstage ‘rehearsal’ of the play, in which age and memory are played for laughs The Guardian - UK · Jun 28, 2023
Review: Faye Brookes and Kevin Clifton sparkle in Strictly Ballroom - but it's not a perfect 10 The star turns did sparkle, but a stoppage on stage and multiple cast changes hampered the flow on opening night for our reviewer Manchester Evening News · Jun 27, 2023
Roman Holiday review – movie magic gets lost in translation Despite charismatic performances and real chemistry, the classic Audrey Hepburn romcom falters in its transition into a Cole Porter jukebox musical The Guardian - UK · Jun 21, 2023
The Circle review – love, tears and tender truths when Jane Asher comes to call Strong emotions rule in a candid and well-judged Somerset Maugham comedy twisting romantic fates across generations of squabbling society The Guardian - UK · May 7, 2023
The Guardian - UK · May 4, 2023 Cymbeline review – Shakespeare’s knotty romance is a fabulous farewell for Doran Departing artistic director Greg Doran reinvigorates this tale of a royal family in crisis with clarity and intelligence
The Guardian - UK · Jan 1, 2023 The week in theatre: One Woman Show; Hakawatis; Bugsy Malone Liz Kingsman’s zinging take on Fleabag goes beyond parody. Elsewhere, a gutsy, all-female Arabian Nights, and splurge guns at dawn
The Guardian - UK · Dec 20, 2022 One Woman Show review – joke-packed Fleabag parody is perfectly pitched Liz Kingsman’s slick, self-conscious ‘troubled woman’ show nests its complex jokes within jokes to tremendous effect
The Guardian - UK · Nov 25, 2022 Arms and the Man review – Shaw’s women show their steel This 1894 farce set during the Serbo-Bulgarian war is impeccably played in a production showing the playwright’s radical vision still resonates
Evening Standard · Nov 21, 2022 Pinocchio at the Unicorn Theatre review: wonderfully imaginative and mercifully no donkeys This carefully presented production teaches both parents and children the value of truth
The Guardian - UK · Jul 10, 2022 The week in theatre: The Seagull; The Southbury Child; Richard III The action’s all in the detail in Jamie Lloyd’s spellbound Chekhov; Alex Jennings excels as a vicar refusing to find the common touch; and Richard III falls short of its health warning
The Guardian - UK · Jul 1, 2022 Richard III review – Shakespeare’s supervillain breezes through the bloodbath Royal Shakespeare theatre, Stratford-upon-AvonArthur Hughes is the scheming sociopath in a production of magisterial stagecraft that builds to a powerful climax
The Independent UK · May 8, 2022 The Week on Stage: from Oklahoma! to The Misfortune of the English The highs and lows of the week’s theatre
The Guardian - UK · Apr 29, 2022 The Misfortune of the English review – a stinging exploration of boyhood and patriotism Based on real events, Pamela Carter’s drama follows British schoolchildren on a walking tour in prewar Nazi Germany
The Guardian - UK · Apr 21, 2022 Henry VI: Rebellion / Wars of the Roses review – thrilling games of thrones With their portrait of a wobbling monarchy and egotistical leadership, these rare stagings are particularly topical
The Guardian - UK · Apr 20, 2022 The Taxidermist’s Daughter review – Kate Mosse’s gothic mystery stuffed with visual thrills Mosse’s adaptation of her blood-soaked novel delivers on chills but could do with more substance amid the sound and fury