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The Latest Breaking News from Elena Urioste

The week in classical: LSO/ Rattle; The Rake’s Progress; The Flying Dutchman; Elena Urioste and Tom Poster – review

Dread runs through John Adams’s pulsating new ‘short symphony’; Stravinsky’s Rake has plenty of company at ETO; Bryn Terfel returns as the mythical Dutchman; and two lockdown favourites bring the house down

The Guardian - UK · Mar 9, 2024

The week in classical: Least Like the Other; Elena Urioste and Tom Poster

The sad fate of Rosemary Kennedy is strikingly told by Irish National Opera. Plus, the female French composer we should all know about…

The Guardian - UK · Jan 21, 2023

The week in classical: Prom 14: CBSO/ Yamada; Prom 16: BBCNOW/ Manze; L’incoronazione di Poppea

Why do some Proms sound better in the Albert Hall and others at home on the radio? Elsewhere, Grimeborn gets off to a smouldering start

The Guardian - UK · Jul 30, 2022

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Fanny and Felix Mendelssohn: Piano Sextet, Quartet and Trio review – a sister steps out of the shadows

Vibrant performances of works by the Mendelssohns prove Fanny’s chamber music can stand up alongside any of the period

The Guardian - UK · Jul 28, 2022

Prom 14: CBSO/Yamada review – Smyth beguiles and Rachmaninov ravishes

Ethel Smyth’s Concerto for Violin and Horn was deftly handled by the CBSO’s chief conductor designate Kazuki Yamada and soloists Elena Urioste and Ben Goldscheider

The Guardian - UK · Jul 26, 2022

BBC Proms: CBSO/Yamada - an exemplary performance of Ethyl Smith’s subtle and original work

The orchestra’s handling of both Smyth and Rachmaninov’s work was revelatory in different ways

Evening Standard · Jul 26, 2022

‘Like seeing a sculpture from a different angle’: Max Richter on rewriting The Four Seasons – for the second time

His 2012 reimagining of Vivaldi’s Four Seasons was huge hit. So why, a decade later, is Max Richter recording it once again – this time with period instruments and a vintage synth?

The Guardian - UK · Jun 10, 2022

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