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The Latest Breaking News from Netia Jones

Opera director Netia Jones: ‘AI is not going away. Either you batten down the hatches or you ride the wave’

Royal Opera’s new associate director on her obsession with Peter Grimes, winning over tech-sceptics and the joy of school matinee shows

The Guardian - UK

Peter Grimes review – Netia Jones’s brutal new production electrifies

In the hands of Gothenburg Opera, Britten’s storm-tossed masterpiece takes psychological horror to the next level

The Guardian - UK

‘Opera should be an unstoppable art form’: Royal Opera announce Netia Jones as associate director

The Royal Ballet and Opera have created a new role, allowing Jones to drive development and new commissions

The Guardian - UK

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The week in classical: A Midsummer Night’s Dream; Pekka Kuusisto & Norwegian Chamber Orchestra: DSCH; Camerata RCO – review

A top cast and young local chorus share the honours in Netia Jones’s stylish new Britten staging; Finnish live-wire Pekka Kuusisto and friends conjure Shostakovich in the dark. Plus, Bruckner’s 6th for 10 players…

The Guardian - UK

The week in classical: Least Like the Other; Elena Urioste and Tom Poster

The sad fate of Rosemary Kennedy is strikingly told by Irish National Opera. Plus, the female French composer we should all know about…

The Guardian - UK

Least Like the Other review – the horror story of Rosemary Kennedy’s life

Irish National Opera are excellent in this powerful work about the Kennedy airbrushed from history after she was lobotomised aged 23

The Guardian - UK

An Anatomy of Melancholy review – vivid musical study of an indefinable condition

In an intimate show – part a staged recital part a mini-opera - Iestyn Davies and Thomas Dunford perform John Dowland’s lute songs epitomising melancholy

The Guardian - UK

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An Anatomy of Melancholy at The Pit Theatre, Barbican review: deeply moving

An Anatomy of Melancholy at the Barbican

Evening Standard

From The Banshees of Inisherin to Taylor Swift: a complete guide to this week’s entertainment

A black Irish comedy or the return of country-pop’s finest? Our critics have you covered for the next seven days

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