The rebirth of Carmen: Bizet’s opera gets a modern treatment One of history’s oldest and most treasured operas is about to inspire and challenge a new generation The Guardian - AU · Oct 2, 2025
‘It’s a high-wire act. Every choice matters’: Danielle de Niese takes on opera’s most notorious femme fatale The Australian-born soprano’s version of Carmen is contemporary and emotionally complex: a factory worker in present-day Spain, entangled in a toxic relationship The Guardian - AU · Jul 12, 2025
Carmen review - feminist take on opera’s notorious femme fatale has swagger and style Maximalist design, gorgeous music and grim reality come together in a smart, seductive and spectacular production from Opera Australia The Guardian - AU · Jul 11, 2025
BBCNOW/Martín/De Niese review – from Ravel’s masterful orchestration to Poulenc’s anguished monologue This French double bill made for bold and effective programming. Danielle de Niese avoided too obvious histrionics and was heart-stopping as the rejected lover The Guardian - UK · Jan 31, 2025
Danielle de Niese on starring in The Merry Widow: ‘It's opera’s Love Actually... a Christmas cracker’ The superstar soprano on Franz Lehár’s giddy opera, the art form’s superpower and singing in venues from Glyndebourne to Davos Evening Standard · Dec 20, 2024
The Merry Widow review – De Niese and Olvera are compelling, but camp fun stifles subtlety Double entendres, extra dialogue and sight gags ensure that Cal McCrystal’s new staging entertains, but it’s at the expense of emotional power. In the pit, John Wilson is superlative, likewise Germán Olvera’s charismatic Danilo The Guardian - UK · Jun 10, 2024
The Seven Deadly Sins review – LPO play Brecht and Weill with bite and swing Danielle de Niese took on twinned roles of dancer and singer Anna with great style, the evening introduced by João Barradas’s fiery accordion The Guardian - UK · Mar 15, 2024
The week in classical: Cumnock Tryst; LSO: A Dance to the Music of Time James MacMillan’s inspiring four-day festival brings together top-class professionals and local performers, and Antonio Pappano gives the Barbican a tantalising taster The Guardian - UK · Oct 14, 2023
ENO’s It’s a Wonderful Life star Danielle de Niese: ‘We need opera, we can’t just do Instagram and Tiktok’ The soprano on starring in an opera adaptation of the much-loved film, being at the ENO when its funding was cut and what it feels like on stage when audiences boo Evening Standard · Nov 15, 2022