Get all your news in one place.
100's of premium titles.
One app.
Start reading
The Conversation
The Conversation
Anna Snaith, Professor of Twentieth-Century Literature, King's College London

How interwar fiction made sense of an increasingly noisy world

The logo of the Anti-Noise League. Quiet/Noise Abatement League Catalogue

Noise was first considered a public health issue in interwar Britain – called the “age of noise” by the author and essayist Aldous Huxley. In this era, the proliferation of mechanical sounds, particularly the rumble of road and air traffic, the blare of loudspeakers and the rising decibels of industry, caused anxiety about the health of the nation’s minds and bodies.

Interwar writers, such as Virginia Woolf, George Orwell and Jean Rhys, tuned in to the din. Their fiction is not just an archive of past sound-worlds but also the place where sound became noise and vice versa. As sound historian James Mansell has argued: “Noise was not just representative of the modern; it was modernity manifested in audible form.”

Sign up to read this article
Read news from 100's of titles, curated specifically for you.
Already a member? Sign in here
Related Stories
Top stories on inkl right now
One subscription that gives you access to news from hundreds of sites
Already a member? Sign in here
Our Picks
Fourteen days free
Download the app
One app. One membership.
100+ trusted global sources.