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The Latest Breaking News from William Bracewell

Giselle at Royal Ballet: Fear the wrath of the corpse brides

5/5 Sir Peter Wright’s production of Giselle dazzles in its heartbreak and sheer spectacle

Evening Standard

Woolf Works at Royal Ballet: Wayne McGregor chases brainbox ideas with electric sensation

4/5 Wayne McGregor’s response to the work of Virginia Woolf returns to Royal Ballet and continues to wield emotive power

Evening Standard

Choreographer Cathy Marston: 'Dance encourages empathy'

Acclaimed choreographer Cathy Marston is back at Royal Ballet with a new piece designed around Benjamin Britten’s Violin Concerto which liberated her into new modes of working

Evening Standard

From analysis to the latest developments in health,
read the most diverse news in one place.

Royal Ballet's The Nutcracker review: 'Spectacular Christmas magic'

4/5 Sir Peter Wright’s version of The Nutcracker returns to Royal Ballet with a bravura extravaganza which conjures the Christmas cheer right out of you

Evening Standard

Perspectives at the Royal Ballet review: a hurtling journey from Benjamin Britten to Sufjan Stevens

4/5 This collection of rather abstract works starts at mystery and ends in exuberance

Evening Standard

The Royal Ballet: Perspectives review – intimate seduction, pure dance and enduring beauty

In an engaging triple bill, a new work from Cathy Marston explores the emotional charge of Britten’s Violin Concerto, while works by Justin Peck and George Balanchine showcase the simple joy of dancing to great music

The Guardian - UK

Onegin at the Royal Ballet review: a passionate tribute to longing and regret

4/5 Marianela Nuñez brings feeling and passion to the role of Tatiana

Evening Standard

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Royal Ballet: Encounters; Birmingham Royal Ballet: Luna review – the moon and mischief

Pam Tanowitz’s witty subversion of classical dance is the highlight of a richly varied Royal Ballet mixed bill, while BRB’s moon-based fare feels a little more earthbound

The Guardian - UK

Swan Lake; Danses Concertantes/Different Drummer/Requiem – review

The Royal Ballet’s long-running and rather cumbersome Swan Lake is elevated by the dancers’ artistry, while a fine Kenneth MacMillan triple bill deserves more performances

The Guardian - UK

Manon review – Kenneth MacMillan’s 50-year-old masterpiece still bewitches

The Royal Ballet revisits the choreographer’s timeless rags-to-riches work, putting assorted casts through its finely tuned emotional wringer

The Guardian - UK

The week in dance: The Dante Project; Lay Down Your Burdens – review

Everything comes together in an exhilarating Royal Ballet revival of The Dante Project, while Rhiannon Faith’s new work is all about sharing…

The Guardian - UK

The Dante Project at Royal Opera House review: a sin-tilating take on the Divine Comedy

With an astonishing score and gleaming dancers, McGregor's latest marshals spectacular forces

Evening Standard

Royal Ballet triple bill review – McGregor and Wheeldon at the top of their game

Wayne McGregor’s incisive new ballet conjures the very brushstrokes of the late Carmen Herrera; Bernstein meets Les Sylphides in a muscular Christopher Wheeldon revival; ; and Laura Morera bows out in style

The Guardian - UK

Frederick Ashton: Links in the Chain review – fascinating study of a master choreographer

Lynne Wake’s film about Ashton, available online, is a compelling glimpse into the way his great works are reinterpreted by new generations of dancers

The Guardian - UK

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The Guardian - UK

Woolf Works review – Alessandra Ferri goes deeper in Wayne McGregor’s modern masterpiece

The Italian star graces a flawless revival of McGregor’s dreamlike 2015 ballet inspired by the writings of Virginia Woolf

The Guardian - UK

The Royal Ballet: A Diamond Celebration review – looking forward with friends

World premieres, old favourites and a ballet legend in the house make for a memorable gala evening

The Guardian - UK

The Royal Ballet: A Diamond Celebration review – pick ’n’ mix gala with some sparkles

A grab-bag of nine pieces, from Wheeldon to Tanowitz, make up a celebratory programme delivered with customary aplomb by the Royal’s dancers

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