We search for stories – we can’t help ourselves. Put a person on stage and we wonder who they are. Two people and our eyes seek out a relationship. Add an ensemble and we ask just what kind of community this is.
Perspectives is a kind of blah title for the Royal Ballet’s triple bill – a classic, a premiere and a sassy New York hit – but what would you call a clutch of abstract-ish works with a teasing narrative undertow? Story Not Story?
