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The Latest Breaking News from Víkingur Ólafsson

Philharmonia/ Schwarz/ Ólafsson review – a masterclass in pianissimo

Marking György Kurtág’s 100th birthday, Elena Schwarz and Víkingur Ólafsson led a programme of hushed intensity and fleeting ferocity

The Guardian - UK

Happy Birthday György Kurtág! Legendary Hungarian composer hits 100

György Kurtág, one of the most important artist of contemporary classical music is being celebrated all around the world to mark his 100th birthday.

Euronews

From shiveringly vivid Mahler to the eclectic Hermes Experiment: our top classical recordings of 2025

Opera may be conspicuous by its absence, but the brilliance of Berlin Philharmonic’s Schoenberg and the exceptional South Korean Yunchan Lim gave us plenty to sink our teeth into this year

The Guardian - UK

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Víkingur Ólafsson: Opus 109 album review – pianist’s concept album opens up transcendent vistas

Olafsson’s account of Beethoven’s Op 109 is one of the most beautiful on record, the centrepiece of a recording that links the composer to Bach and Schubert

The Guardian - UK

Philharmonia/ Rouvali/ Ólafsson review – orchestra opens 80th celebrations with sparkle and style

Víkingur Ólafsson’s Beethoven was clear, contemplative and witty, in a concert that also featured Olivier Latry at the mighty RFH organ and a UK premiere from Gabriela Ortiz

The Guardian - UK

Brahms for the soul on the night the US election results came in

A stirring performance by Víkingur Ólafsson of a piano concerto written amid a period of great sorrow. I think we could relate

The Guardian - UK

The week in classical: The Monster in the Maze; Yuja Wang and Víkingur Ólafsson; Rigoletto – review

Sheffield takes on the Minotaur in a rousing Jonathan Dove staging; fire meets grace as two superstar pianists share the stage; and ENO’s Verdi updating remains the godfather of them all

The Guardian - UK

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Yuja Wang and Víkingur Ólafsson review – an unforgettable night with two star pianists

From the breathtakingly intimate dynamics during Berio’s Wasserklavier to the astonishingly crisp articulation of Schubert’s Fantasia in F minor, this concert was a masterclass in clarity and poise

The Guardian - UK

Proms 55 and 56: Berlin Philharmonic/Petrenko review – spellbinding magic

Over two evenings of music by Schumann, Smetana and Bruckner, the Berlin orchestra and their chief conductor Kirill Petrenko played with sumptuous mastery

The Guardian - UK

‘An encyclopedia of how to think and dream on the piano’: Víkingur Ólafsson on Bach’s Goldberg Variations

The star Icelandic pianist is having an extraordinary year – recording, and now performing, Bach’s monumental work 88 times around the world. He explains why it gripped his imagination, and pushed him beyond the limit

The Guardian - UK

Víkingur Ólafsson review – Icelandic pianist brings magic and spontaneity to Bach

Performing the Goldberg Variations to a packed and tangibly engaged hall, this was a hypnotic reading that added up to considerably more than the sum of the work’s 32 parts.

The Guardian - UK

Classical home listening: Víkingur Ólafsson takes two; Caroline Shaw looks up

First on grand, then upright piano, the Icelandic star maps his life in music, while Shaw and Attacca Quartet take on nature and language to compelling effect

The Guardian - UK

‘It’s my age that’s the talking point, not that I’m black’: Toks Dada, the Southbank’s head of classical music

With its new season opening this weekend, the Southbank Centre’s 32-year-old leader talks about how he’s shaping the venue to reflect classical music today, the magic of live music, and the challenge of keeping the lights – and the heating – on

The Guardian - UK

The week in classical at the Edinburgh festival, from Salome to Madame Chandelier

The striptease is all Strauss’s in the Bergen Philharmonic’s expertly revealing Salome. Plus, the new-ish Takács Quartet, a theorbo moment and a sock-throwing night at the opera

The Guardian - UK

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The Guardian - UK

Bergen Phil/Gardner/Ólafsson review – crowd-pleasing but never dangerous

Edward Gardner led the orchestra in a controlled performance, with an exquisite but tentative Víkingur Ólafsson on piano

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