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The Latest Breaking News from Tyshawn Sorey

The 10 best jazz albums of 2025

Jakob Bro’s Bill Frisell collaboration finally saw the light, Cécile McLorin Salvant drew on her teenage pop memories and Anthony Braxton looked back to 1985

The Guardian - UK

Linda May Han Oh: Strange Heavens review – ideas and invention burst from a great jazz trio

Ambrose Akinmusire and Tyshawn Sorey join the bassist-composer on originals and covers that are rhapsodic, rhythmic and tonally warm

The Guardian - UK

The 10 best jazz albums of 2024

A Mercury prize winner, a host of fresh collaborations and a posthumous release of a much-lauded live performance are all among the year’s standouts

The Guardian - UK

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Vijay Iyer/Linda May Han Oh/Tyshawn Sorey: Compassion review – a trio of rare intuition

Improvising around Iyer compositions and numbers by Stevie Wonder, Roscoe Mitchell and more, these musicians foreground openness and receptivity

The Guardian - UK

The 10 best jazz albums of 2023

Nikki Iles affirmed her flawless ear, Gretchen Parlato and Lionel Loueke finished each other’s sentences and Tyshawn Sorey rewrote standard-song interpretation

The Guardian - UK

Tyshawn Sorey Trio: Continuing review – genre-hopping triumph from award-winning drummer

Standard-song jazz interpretations by this group, helmed by drummer, composer and improviser Sorey, just don’t sound like anybody else’s

The Guardian - UK

DJ, producer and UCSD 'Blacktronika' creator King Britt does it all: 'He's had so much impact on so many'

SAN DIEGO — The worlds of DJs, academia, hip-hop, Miles Davis, Dua Lipa, electronic music, Sun Ra, cassette mix tapes and digital technology are all happy equals for King Britt, who in barely four years at the University of California San Diego has become one of its most popular faculty…

Tribune News Service

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Album reviews: Tyshawn Sorey Trio, Madonna and The Phantom Blues Band

Tyshawn Sorey Trio

Tribune News Service

LCMF: Exhausted and Hysterical review – free improvisation at its most erudite

Roscoe Mitchell, at the London contemporary music festival, was abstract, raw and funky in a stimulating evening dominated by the US saxophonist

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