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The Latest Breaking News from Tristram Kenton

The best theatre to stream this month: The Boys Are Kissing, Stephen Sondheim’s Old Friends and more

Our roundup of drama to watch at home includes Hans Christian Andersen on skates, a verbatim play five years in the making and poems from Ukraine

The Guardian - UK

Olivier awards 2023: complete list of nominations

My Neighbour Totoro leads the way with nine nominations at this year’s awards – see who else is in the running

The Guardian - UK

Flies review – the effects of the male gaze on adolescent girls

The new work by Charlie Josephine gives us teenagers’ thoughts about objectification, shame, body image and sex

The Guardian - UK

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The week in classical: Rusalka; The Rhinegold

Royal Opera’s new staging of Dvořák’s watery Rusalka finds fresh resonsances, while the ENO’s updated Ring cycle is really starting to shine

The Guardian - UK

The Walworth Farce review – tyranny and fantasy at the Elephant and Castle

There is comical swagger and escalating threat but Nicky Allpress’s revival of Enda Walsh’s play is strongest in its fragile moments

The Guardian - UK

Katherina Radeva: 40/40 review – joyful dance in defiance of convention

Radeva delivers a gloriously uncomplicated and deeply felt performance that is a delight to watch

The Guardian - UK

Grenfell: System Failure review – sobering unpicking of a tragedy

Writer Richard Norton-Taylor and director Nicolas Kent’s almost anti-theatrical play uses residents’ testimonies and gives the bereaved a much-needed voice

The Guardian - UK

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The Winter’s Tale review – the Globe’s two-venue telling loses its way

As this ambitious production switches between stages, and deaths pile up like dishes, neither the comedy nor the tragedy have room to breathe

The Guardian - UK

Patti Love obituary

Actor best known for her stage work and acclaimed for her portrayal of Mary Barnes in the title role of David Edgar’s 1978 play

The Guardian - UK

Rusalka review – junk-filled staging brings magic and a sombre message

Ann Yee and Natalie Abrahami’s thoughtful and effective new production shapes Dvorák’s opera into a tale of mankind versus nature. A first-rate cast is matched by Semyon Bychkov in the pit

The Guardian - UK

Akedah review – sisters at sea in taut but frustrating Troubles drama

Two women disinter a trauma from their past in Michael John O’Neill’s allegorical play set in an evangelical church

The Guardian - UK

The Rhinegold review – witty and insightful, Jones’s production delivers an emphatic win for ENO

The Rhine shimmers, the gold dazzles and the gods posture – Richard Jones has by and large gone back to Wagnerian basics for his assured and cogent staging. In the pit, Martyn Brabbins and ENO’s orchestra add lustre

The Guardian - UK

Bootycandy review – thrilling, uproarious comedy explores Black queerness from every angle

Inventive direction and a spectacular cast make the London transfer of Robert O’Hara’s kaleidoscopic off-Broadway play a spiralling, high-energy triumph

The Guardian - UK

Right Dishonourable Friend review – nepo baby MP lands in Lancashire in heartfelt comedy

Phoebe Batteson-Brown is archly comic as the clueless Perdita but it’s the subplot about a queer teenager and the hypocrisy of politics that has real depth to it

The Guardian - UK

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The Guardian - UK

The Oyster Problem review – the struggle to save Flaubert from himself

In historian Orlando Figes’ rather too formal first play, the passionate romantic’s friends try to persuade him to be a little more worldly

The Guardian - UK

Standing at the Sky’s Edge review – Richard Hawley pulls on the heartstrings in his Sheffield opus

This new musical traces the intersecting lives of three families on the Park Hill estate in this spine-tingling and sentimental love song to the steel city

The Guardian - UK

‘It’s a grief and a healing’: why dance-makers love The Rite of Spring

Stravinsky’s ballet sensation of 1913 shocked its first Paris audience. More than 150 versions later, the far-reaching pull of this modernist masterpiece remains irresistible…

The Guardian - UK

Secret Things/ Everyone Keeps Me; Dance Me review – the glory of Pam Tanowitz

The American choreographer delights with a programme of rare wit, beauty and unshowy complexity. Elsewhere, a Vegas-style tribute to Leonard Cohen

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The Guardian - UK

Carmen review – vivid revival finds ENO on fighting form

With Bizet’s opera’s menace and casual cruelty to the fore, cracking performances from soloists and chorus alike ensure that this is a tense and atmospheric production

The Guardian - UK

The Trial of Josie K review – kidding around with Kafka

Inspired by the classic novel, this play for children leads its young heroine through surreal encounters with bureaucracy – and a giant rabbit

The Guardian - UK

Bill’s 44th review – tender and boozy puppet party

A Beckettian sense of dread pervades Dorothy James and Andy Manjuck’s show about a wistful middle-aged man’s attempts to keep the darkness at bay

The Guardian - UK

Out of the spotlight: seven of dance’s hottest hidden talents

From costume and lighting designers to composers and producers, here are some of the dynamos bringing breathtaking dance shows to the stage

The Guardian - UK

Tannhäuser review – Lise Davidsen gleams though Albery’s Wagner misfires again

Tim Albery’s second revival only fitfully illuminates the opera’s complexities, but the singing and acting are superb

The Guardian - UK

The week in theatre: Othello; The Unfriend; On the Ropes – review

Brute force speaks volumes in Frantic Assembly’s breathtaking Othello; Steven Moffat and co flirt with farce; and the story of Windrush boxer Vernon Vanriel hits home in song

The Guardian - UK

Acosta Danza: Spectrum; Julie Cunningham: How Did We Get Here? – review

Big personalities shine out in the Cuban company’s celebratory show. And Mel C holds her own in Cunningham’s opaque new work

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