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The Latest Breaking News from Tristram Kenton

Nederlands Dans Theater review – a moving menagerie from a world in crisis

Figures in Extinction [1.0], a Crystal Pite and Simon McBurney collaboration, is the climax to a triple bill featuring excellent technique and film noir atmosphere

The Guardian - UK

Innocence review – Saariaho’s iridescent score keeps the harrowing drama at arm’s length

Dealing with the terrible aftermath of a school shooting, this production is sensitively staged and sung but its characters fail to come into focus and the beauty of the music ultimately works against the drama

The Guardian - UK

Hamnet review – slick adaptation captures Shakespeare’s horrified unravelling

Lolita Chakrabarti’s staging of Maggie O’Farrell’s moving novel about the death of the playwright’s son – and his resurrection in Hamlet – is powerfully played, with the occasional cheesy line

The Guardian - UK

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Olivier awards 2023: full list of winners

My Neighbour Totoro, A Streetcar Named Desire and Prima Facie were among the winners at the Royal Albert Hall ceremony

The Guardian - UK

Sugar Coat review – a rocking coming-of-age story of trauma and healing

Headbanging frontwoman Dani Heron moves from schoolgirl sex, parties and music-making to teen pregnancy, miscarriage, rape and depression

The Guardian - UK

Cinderella review – Ashton’s classic fairytale with extra frills

Marianela Nuñez, Vadim Muntagirov and company shine – as do their costumes – in the Royal Ballet’s over-the-top new design of this intricate work

The Guardian - UK

The week in classical: The Dead City; Black Angels; Re:sound – review

ENO give a thoughtful account of Korngold’s uneven study of loss; Manchester Collective revel in an eerie George Crumb masterpiece; and Streetwise Opera tell a five-star tale of three cities

The Guardian - UK

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Cinderella review – Royal Ballet fairytale is a shiny sugar-rush

Ashton’s three-act ballet combines escapism, clever classicism and panto, and this new version gets better as it goes along

The Guardian - UK

The Dead City review – study of grief, guilt and obsession unsettles and enraptures

Annilese Miskimmon’s new production of Korngold’s hallucinatory 1920 work sacrifices some of its disturbing power but musically it is magnificently alert to the mood-shifts and beauty of its sound-world

The Guardian - UK

Killing the Cat review – musical about science v God is purr-gatory

A talented cast can’t save this bizarre production about a holiday romance dogged by a conflict in ideology

The Guardian - UK

The Three Billy Goats Gruff review – captivates right to the final bleat

Musical for over-threes has belting solos, full-throttle yodelling and an operatic troll with a whiff of Lloyd Webber’s Phantom

The Guardian - UK

Tom Dale Company review – a mesmerising union of sound and movement

Jemima Brown excels in a cleverly assembled, four-way collaboration between choreographer, dancer, music and design

The Guardian - UK

Noël Coward was not just an amiable jester but a scathing social satirist

He presented himself as a message-free entertainer but, 50 years after his death, it is time to reconsider the variety of the great playwright’s work

The Guardian - UK

The Way Old Friends Do review – super troupers shine in a fun, frothy comedy

Two friends put together an Abba tribute band and explore ideas of male friendship, homophobia and family in Ian Hallard’s witty play

The Guardian - UK

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The Guardian - UK

Farm Hall review – riveting wartime thriller shows secret mission to bug German nuclear scientists

As the race to produce the first atomic bomb nears its terrible conclusion in 1945, six members of Germany’s nuclear weapons programme are detained at a stately home in Cambridgeshire

The Guardian - UK

Turn it Out with Tiler Peck & Friends review – pure dance at its breathtaking best

A virtuoso lineup join the New York City Ballet principal for an eclectic programme celebrating the shared pleasure of music, rhythm and athleticism

The Guardian - UK

The week in theatre: Top Girls; The Great British Bake Off Musical; Sleepova; Oklahoma! – review

A revival of Caryl Churchill’s female power play has yet to settle; Paul and Prue become song-and-dance naturals; a fab four get ready for bed; and who can say no to this Rodgers and Hammerstein reinvention

The Guardian - UK

After the Act review – Thatcher’s section 28 stirs a fiery protest musical

Ellice Stevens and Billy Barrett’s fizzing production traces the story of the Tories’ anti-gay legislation

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The Guardian - UK

Woolf Works review – Alessandra Ferri goes deeper in Wayne McGregor’s modern masterpiece

The Italian star graces a flawless revival of McGregor’s dreamlike 2015 ballet inspired by the writings of Virginia Woolf

The Guardian - UK

How to Break Out of a Detention Centre review – daring staging of migrants’ stories

The desperate extremity of women’s experiences trapped in the UK immigration system gets an intense multimedia treatment

The Guardian - UK

The Merchant of Venice 1936 review – Shylock takes on Oswald Mosley’s Blackshirts

A striking, slick adaptation of Shakespeare’s problematic play sees Tracy-Ann Oberman play a Jewish matriarch up against the fascists of 1930s London

The Guardian - UK

Sleepova review – a captivating safe space for teenage dreams and fears

Four girls joke, squabble and share their secrets in this exhilarating tableau of young friendship starring Rocks’ Bukky Bakray

The Guardian - UK

Woolf Works review – the wondrous Alessandra Ferri flies again

Returning to the role created for her by Wayne McGregor, the dancer portrays the great modernist with emotional power

The Guardian - UK

Shirley Valentine review – Sheridan Smith disarms and dazzles with heart and soul

Willy Russell’s 1986 monologue about a neglected woman’s midlife liberation is given new life in this perceptive production

The Guardian - UK

The Long Run review – going the distance with love and laughter

Katie Arnstein’s captivating show about her mum’s treatment for cancer lies somewhere between storytelling and standup

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