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The Latest Breaking News from Tristram Kenton

The week in classical: Alcina; The Blue Woman

Handel’s sorceress goes to the cabaret in Francesco Micheli’s fabulously glitzy production, while Katie Mitchell directs a powerful exploration of violence against women

The Guardian - UK

Objectified, derided, demeaned: sexism is still rampant on stage in the era of #MeToo

From Jerusalem and Pretty Woman to a 70s Alan Bennett farce, unreconstructed attitudes and old-fashioned smut still permeate British theatre. And irony is not much of a defence

The Guardian - UK

The Tempest review – Deborah Warner’s grimy island engrosses and disgusts

Ustinov, BathThe veteran director’s arrestingly visceral production honours the sheer strangeness of Shakespeare’s late play

The Guardian - UK

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The Throne review – unexpected royal encounter goes down the pan

A meeting in a toilet between a republican teacher and the Queen is disappointingly amicable with few laughs

The Guardian - UK

‘It’s the Odyssey – the islands are Soho clubs’: Jack Holden on his 80s drama Cruise

The Ten Percent star’s solo show, which is returning to London’s West End, was inspired by his conversations with older gay men as a volunteer for Switchboard

The Guardian - UK

Alcina review – Handel’s enchanting opera glitters with retro glamour

Jane Archibald rises to the challenge as nightclub proprietor Alcina, as this lavish, campy production – with punchy playing by the OAE – transports the action to a 1960s Italian metropolis

The Guardian - UK

Favour review – a moving addiction drama with occasional lapses

Bush theatre, LondonThree generations of a working-class Muslim family clash in Ambreen Razia’s meditation on the complexities of motherhood

The Guardian - UK

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Birmingham Royal Ballet: On Your Marks! review – Carlos Acosta sketches a bright future

The director manages to stretch ballet’s mould while retaining mass-market appeal with an exhilarating summer triple bill

The Guardian - UK

Rusalka review – Natalya Romaniw is a rapturously magnificent water nymph

Romaniw unleashes an overwhelming torrent of sound and emotion in a spectacular production that imbues Dvořák’s fairytale with sinister magic

The Guardian - UK

The Car Man; Like Water for Chocolate review – two narrative delights

Matthew Bourne and Christopher Wheeldon bring masterly cinematic power to their adaptations of Bizet’s Carmen and Laura Esquivel’s 1989 novel

The Guardian - UK

That Is Not Who I Am review – all is not what it seems in tricksy thriller about truth and power

One play reveals another in a tangled web that pits the Home Office against two Guardian blind-daters

The Guardian - UK

Elixir Extracts review – silver sirens steal the show

This mini festival celebrating the older dancer features powerful performers – and is defiantly not pretty

The Guardian - UK

Bangers review – a joyous party of a play celebrating the rousing power of music

Twin stories of self-discovery are enacted by scintillating, energetic performers stacked with natural talent

The Guardian - UK

Beyond black and yellowface: how opera can address prejudice

Madama Butterfly is one of many landmark works to embody offensive beliefs – but there are sensitive ways new productions can tackle these without cancelling them

The Guardian - UK

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The Guardian - UK

Grenfell review – so harrowing you will want to scream

Five years after the fire, this devastating verbatim play based on the Grenfell inquiry leaves the question hanging: 72 dead – so why still no arrests?

The Guardian - UK

Matthew Bourne’s The Car Man review – steamy dance thriller with a supercharged engine

Bourne’s 1950s potboiler has been beefed up for a larger venue. The result is classy, trashy – and deeply serious

The Guardian - UK

The Still Room review – a hideously misguided workplace sex comedy

Any earnest intentions in this 80s-set coming-of-age tale are ruined by odious vulgarity and lazy, Benny Hill-esque humour

The Guardian - UK

Cancelling Socrates review – Howard Brenton interrogates democracy in a rich play of ideas

Fine acting and lively dialogue save this philosophical play from feeling static as it applies Athenian ideals to modern dilemmas

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The Guardian - UK

‘I feel like I’ve got the best job in the world!’ – Amy Lennox, the knockout star of Cabaret

As a kid growing up in Aberdeen, she rebelled against singing. Now she’s proving sensational in the classic Weimar musical – but finds its present-day parallels chilling

The Guardian - UK

Edinburgh fringe 2022: 20 theatre, comedy and dance shows you shouldn’t miss

In the first of our festival previews, we round up some of the best offerings we’ve already reviewed – including Tim Key, Liz Kingsman, La Clique and Hungry

The Guardian - UK

Grenfell on stage: can a harrowing new play help the drive for justice?

Dictating to the Estate uses documentary evidence to tell a story of everyday heroism and scandalous political neglect

The Guardian - UK

Like Water for Chocolate review – Christopher Wheeldon’s delectable take on a magic-realist love story

Wheeldon choreographs Mexican novelist Laura Esquivel’s 1989 tale of food and forbidden passions into a fulfilling ballet full of buoyant movement and visually arresting coups de theatre

The Guardian - UK

Samson et Dalila review – Saint-Saëns’ opera has style and a new star in SeokJong Baek

Richard Jones’ vibrant new production can’t compensate for the work’s dramatic weaknesses, but soloists and chorus alike are on top form, and conductor Antonio Pappano relishes the score’s melodiousness

The Guardian - UK

‘Shake it and see what happens’: the confounding world of James Thierrée

The circus star turns singer in his new show, Room, which is designed to embrace chaos. He talks about the mystery of theatre and his movie missions

Manchester Evening News

Former Corrie star Faye Brookes dazzles in va-va-voom Chicago at Opera House

"You get vice, vanity and venality, all delivered with a vast vat of va-va-voom and death defying splits"

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