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The Latest Breaking News from Tate Modern

Gaza protesters disrupt Yoko Ono exhibition launch

Some applauded the demo at Tate Modern

Evening Standard

Step into Yoko Ono’s immersive world at Tate Modern

‘Yoko Ono: Music of the Mind’ spans the artist and activist's work from the 1950s to the present day

Wallpaper

Yoko Ono's Artistic Journey Explored in Tate Modern Exhibition

Discover the incredible career of Yoko Ono at the Tate Modern exhibition in London. Explore her art, activism, and influential collaborations.

Top News

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Yoko Ono: Music of the Mind review – wild shrieks, audacious instructions and bare bottoms

Shake hands with a stranger, write about your mum, colour in, step on, get up close and interact with Ono’s art at this crowd-pleasing retrospective

The Guardian - UK

Tate Modern visitors tell of horror as man falls to his death at gallery

The London Air Ambulance attended but the man was pronounced dead at the scene

Evening Standard

From late-night exhibitions to morning yoga: seven reasons to head to a Tate gallery this winter

Whether it’s evening events you’re looking for, or child-friendly fun, there’s something for everyone at the Tate over the next few months

The Guardian - UK

‘Turner stops me in my tracks’: four Tate curators discuss their favourite artworks

Whether it’s romantic watercolours or contemporary installations, curators from Tate Britain and Tate Modern share the works that bring them joy, hope and solace

The Guardian - UK

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Carl Andre obituary

Minimalist sculptor known for his ‘pile of bricks’ at the Tate, and who faced accusations over the death of his wife, Ana Mendieta

The Guardian - UK

OPINION - London must now defend its status as Europe's best city for art

Reflecting on London's art scene from the mid-1990s to the early 2000s ignites a rush of excitement for me, marked by the opening of Tate Modern, the captivating Louise Bourgeois installation at the Turbine Hall, the birth of Frieze Art Fair, the Saatchi Gallery in County Hall, and the emergence…

Evening Standard

‘Art Exposed’: Julian Spalding on everything that’s wrong with the art world

In ‘Art Exposed’, Julian Spalding draws on his 40 years in the art world – as a museum director, curator, and critic – for his series of essays

Wallpaper

The best art and architecture shows to visit in 2024

Yoko Ono’s cheeky pieces, a gut punch from Goya and the National’s centenary celebrations will fill the UK’s galleries, while the Louvre’s architect takes his moment in the sun in this stupendous year

The Guardian - UK

Wallpaper gift guide: shopping with lifestyle editor Caragh McKay

A perfect puppy, a scary pot and a Hungarian lament make for a gift guide brimming with strange delights

Wallpaper

From a 100-mile city to a desert ski resort: why is Saudi Arabia spending billions on architectural ‘gigaprojects’?

The Saudi crown prince is creating wildly ambitious projects masterminded by renowned architects, curators and designers. The upshot is either progressive modernisation or image-laundering, depending who you ask

The Guardian - UK

UK museums agree to collective action to tackle the climate crisis

UK Museum Cop held at Tate Modern says the sector has a ‘responsibility to speak out about climate and biodiversity crisis’

The Guardian - UK

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Evening Standard

The Big Autumn 2023 TV List: our must-watch rundown

As we head into the colder months, there’s plenty of reasons to stay indoors.

The Guardian - UK

In this neverending news cycle of violence, art speaks to our shared humanity

From crushed fathers and their waiting children to haunting stacks of empty chairs, art can tell us about the true nature of suffering in ways that headlines never can

The Guardian - UK

Nicole Eisenman: What Happened; Re/Sisters; El Anatsui: Behind the Red Moon – review

Three new exhibitions encompass Eisenman’s wild and satirical paintings, poignant reactions to environmental ruin and an exquisite transformation of the Turbine Hall

The Guardian - UK

Philip Guston; Sarah Lucas: Happy Gas review – tragi-comic cartoonery

The delayed Philip Guston retrospective opens at last – and it is mordant, magnificent, unmissable. Over at the other Tate, Sarah Lucas’s repertoire of rude Britannia one-liners wears a little thin

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The Guardian - UK

‘What would it be like to be evil?’ Controversial Philip Guston show ridicules the virus-like KKK

Delayed after the murder of George Floyd, this show has now arrived in Britain accompanied by warnings. Our critic revels in the American’s cartoonish renderings of everyday objects – and the hate groups lurking in our midst

Evening Standard

Philip Guston at Tate Modern review: riven with anger, engorged with love, haunted by suffering

Finally this much-postponed, angsted-over show has arrived in London and Guston’s anti-fascist feelings could not be more evident

The Guardian - UK

Sarah Lucas, Philip Guston and women revolt: the best art and architecture of autumn 2023

An American great for the age of Trump, a baroque master’s feminine side and 20 contentious years for women’s art are among the highlights ahead

The Week

Tate Modern: A World in Common

During the colonial period, when Africa was almost entirely divided up by European powers, “the camera became something of an imperial device”, said Sarah Cascone on Artnet.

The Conversation

A World in Common: Contemporary African Photography – Tate Modern show celebrates new generation of artists, but misses a trick

The last large survey exhibition of African photography by a major western gallery was In/Sight at the Guggenheim Museum in New York in 1996. Twenty-seven years later, Tate Modern is introducing a British audience to the next generation of African photographers.

Evening Standard

Herzog & de Meuron at the Royal Academy review: starchitects show we can have better buildings... if we try

This is an unusual exhibition about the working method of the designers of Tate Modern and the Laban Centre

The Guardian - UK

‘We’re contemporary, we’re traditional, we’re unique’: the African photographers rewriting the rules

From female bikers decked out in pink to dreamy desert tableaux, a new exhibition replaces two centuries of western influence with Africans’ own liberated visions

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