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The Latest Breaking News from Roland

Celebrating 60 years of the synth: the '70s

In the 1970s, the synthesizer became a true musical force. Here's how it went from a mono legend to a poly Prophet in 10 short years…

MusicRadar

"It's a great synth, for sure, but $25,000 great? No chance": 5 stupidly expensive vintage synths (and how to get their sound for free)

Synthflation means you can pay nearly six figures for some of these synths (but also get most of their sounds for free)…

MusicRadar

6 criminally underrated hardware synths that you can still buy today

Incredibly, some of these under-the-radar beauties are over a decade old, but still available (and still very good)

MusicRadar

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"It’s all about that filter that Bob Moog patented all those years ago. I can’t live without it": Mike Parker on Dispatches

Mike Parker talks us through his 2001 minimal masterpiece track by track

MusicRadar

“AI could prove incredibly useful, from configuring our kits to generating the sounds in our head”: Where might electronic drums go next? Here are 9 of our predictions

Electronic drums have come a long way over the last few decades, but where are they headed in the future? From AI to radical new playing surfaces and authentic cymbals, this is our wishlist

MusicRadar

“While Les Paul maynot have been the first to use tape for echo effects, he was certainly at the forefront”: The history of delay, from studio guitar reel-to-reel experiments to Line 6 and the rise of digital

How 1940s innovations in sound echoed an eternity on pedalboards, taking delay from the mechanical analog era to the digital realm, shaping guitar tone for generations to come

Guitar World

"He didn't just select a stock beat and press play": Prince’s go-to synths and drum machine - a career in music tech gear

From the Linn LM-1 to the Roland JD-800

MusicRadar

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"I need to make music I want to make, otherwise there's not much point": Kasbo on keeping things simple in the studio and working on his own terms

Birthed from an agonising stress-related hearing loss, and put together in an ABBA-backed prison-turned studio, Kasbo’s third album, The Learning of Urgency is a potent, melody-infused statement from an artist in ascendance

MusicRadar

"The distinctive sound that has helped define genres from '80s pop through to modern EDM": D16 Group's Roland TR-606 emulation Nithonat 2 updated with new sequencer, effects and more

Nithonat 2's new sequencer replaces the original's 606-style sequencer with a grid-based version that's easier to use and gives you precise control over dynamics and articulation

MusicRadar

“Guitar’s versatility is unparalleled. But it’s also an instrument with a lot of baggage. We all know the tropes we’re trying to avoid”: St. Vincent on returning to real amps, stealing Josh Homme’s secret weapon – and how she overcame her fear of Strats

St. Vincent’s new album, All Born Screaming, sees her teaming up with two FooFighters, using Prince’sfavourite pedal and embarking on a prog odyssey. It also sees her return to real amps played real loud…

Guitar World

WorldTour teams cite Brexit and race uncertainty as reasons for skipping Tour of Britain Women

Only four of 15 Women's WorldTour teams set to take start line in Welshpool next month

Cycling Weekly

"The main synths were the Juno, Moog Voyager and the Roland SH-5, which we used for the squelchy bottom-end. It’s like a spaceship, you know?": Mr. Scruff on Ninja Tuna

Mr. Scruff takes us back to 2008 for the making of his eclectic, gloriously silly Ninja Tune debut

MusicRadar

"Getting her to the studio was tough! But once we got her there, she was wonderful. We really sprung Slave... on her": The story of Grace Jones’ Slave to the Rhythm - tempo changes, stacked Roland synth patches and Trevor Horn

Never stop the action… Join us as musical mis-steps, happy accidents, crushing financial burden and raw unbridled talent give birth (eventually) to one of the enduring hits of the ‘80s

MusicRadar

Zildjian announces Alchem-E Gold-EX, Gold and Bronze electronic drum sets in three different configurations, “We set out to create the most realistic, authentic playing experience across the entire kit and are confident that drummers will agree.”

Metal cymbals, acoustic shells, and input from the son of Roland's founder…

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Guitar World

“He doesn’t like the sound of new strings. The ones on the guitar for the new album were two years old”: Mdou Moctar prefers old guitar strings – and the Roland Cube is his favorite amp for a very good reason

The gear (or lack of) behind Mdou Moctar's searing signature sound on Funeral For Justice, which fuses Saharan rock music with Jimi Hendrix and Eddie Van Halen flair

MusicRadar

"I was probably off my head... it wasn't meant to be a novelty record, it was meant to be an underground record": The story of The Prodigy’s cartoon-sampling rave hit Charly

How Liam Howlett concocted one of ‘90s rave’s most iconic tracks with two Roland W-30 keyboards and a turntable in his bedroom

MusicRadar

Classic vocal effects, explained: "Contrary to many people’s assumptions, the vocoder itself is not actually a synthesizer"

Never mind AI, we’re getting the robots involved in production, as we demystify vocoders, talkboxes, hard-tuning and harmonisers!

MusicRadar

No longer just a software upgrade, Roland’s Fantom EX is a “supercharged” version of the acclaimed synth workstation

Now new users can get their EX kicks right out of the box

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Guitar World

“His style is so specific and refined. It's not something I could just jump into”: Steve Vai explains the hardest part of replicating Robert Fripp’s playing style

Vai will be touring King Crimson’s ‘80s material with Beat in the fall, and he’s spoken about his preparations – which includes working with Roland on three purpose-built guitars

MusicRadar

“We talked about synthesizers and sounds. She can get kind of nerdy and I really liked that”: Producer Carter Lang on his first meeting with SZA and how he ended up working on Kill Bill, her number one hit

“I brought this weird Roland monosynth upstairs. It was an early ’70s primitive synth and we were bugging out over it”

MusicRadar

"It's a great synth, for sure, but $25,000 great? No chance": 5 stupidly expensive vintage synths (and how to get their sound for free)

Synthlation means you can pay nearly six figures for some of these synths (but also get most of their sounds for free)…

MusicRadar

"In the late ’90s and early ’00s equipment was so fetishised. I’ve been in fancy studios that have all these iconic machines which are like museum pieces now, but they’re constantly breaking": Naum Gabo on 20 years of progress

Two decades after first starting, Jonnie Wilkes and James Savage finally release their debut Naum Gabo LP, F. Lux. Danny Turner learns more

MusicRadar

5 pieces of '90s studio gear that we need back right now: "Making music in the '90s, you needed an awful lot of awfully average music gear, a lot of space and a vivid imagination"

1990s music gear might be a bit rubbish compared to today's, but its genius was in its limitations…

MusicRadar

At last! Behringer ships the MS-5, a "faithful reproduction" of the Roland SH-5

The long-promised synth is in the shops and yours for just $599

MusicRadar

Orbital on recording The Green Album: "We didn’t have multi-tracking equipment, so we’d get everything working and just run it out live. Any manipulation or synth magic would happen as it was going down - if you didn’t like it, you’d do it again"

Phil and Paul Hartnoll talk us through the debut album that started it all, track by track

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