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The Latest Breaking News from Bill Bruford

“They said, ‘You mean we’ve paid $12,500 for a piano player?’ My publisher said, ‘Yes, but he’s a good piano player’”: The label called it “unsellable”, the critics hated it, but this prog icon’s solo album went on to sell nearly 15 million copies

How Rick Wakeman defied the critics and his own label to make The Six Wives Of Henry VIII

Louder

“A truly virtuosic and deeply musical homage to King Crimson’s legacy – hugely entertaining”: BEAT LIVE captures the joy of Adrian Belew, Steve Vai, Tony Levin and Danny Carey reviving and evolving the 80s

The quartet’s relaxed yet enthusiastic approach means they never sound indulgent as they segue between pachyderm-impersonating dissonance and languorous ambience

Louder

“This band interacts and reacts. No two nights are the same. There’s a risk in working like that but also a beauty to the freedom”: Jazz guitar phenom Pete Roth on the making of a trio that lives on the outer limits of improv

Fans of Joe Pass, Larry Carlton and John Scofield would do well to check out the Pete Roth Trio with Bill Bruford the next time they’re in town

Guitar World

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Electronic drumming pioneers: 11 trailblazing players who raised the bar for electronic and hybrid drumming

The drummers, past and present, who embraced technology to revolutionize music and the gear we play

MusicRadar

“The band had already drifted from its original vision. The group broke up…Somehow we absorbed the fact and kept going”: The story of King Crimson’s remarkable Beat era

What happened when the eternally unpredictable prog machine returned in the 80s with an Anglo-American line-up and delivered Discipline, Beat and Three Of A Perfect Pair

Louder

“You wonder if any other drummer could have glued together all the impulses and influences at play”: Alan White’s 10 best performances with Yes

He secured a place in music history with other artists – but he’s best remembered for covering an extraordinary breadth of styles with the ever-changing prog giants

Louder

“There were arguments. But they weren’t personal – they were musical. They helped make it what it is”: How Yes defined themselves with Fragile, before success went to their heads

The arrival of Rick Wakeman, the freedom to be adventurous and the discovery of Roger Dean led to the creation of a prog landmark in 1971

Louder

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“The revolving stage was great fun, especially when it broke down and we got the audience to push it”: If anything mostly worked out during Yes’ Union era, it was the accompanying tour

The 1991 album remains a controversial work for many – but for most of the musicians from both sides of the Yes divide, the road trip was its saving grace

Louder

“With deference to everybody in Beat, my function is to amuse myself and hopefully you. I can’t do music from 45 years ago”: Why Bill Bruford demoted himself from the King Crimson, Yes and Genesis league

Bill Bruford retired in 2009 and later sold most of his equipment to Tool’s Danny Carey. Then he found he wasn’t finished on stage – and he’s come back re-energised

Louder

Jamie Muir obituary

Percussionist best known for his work with King Crimson and his delight in exploring the boundaries of improvisation

The Guardian - UK

“People talk, a couple of hundred quid changes hands – and you’re in the charts. That got us going”: The Yes Album was very nearly Yes’ final release. But fate intervened three times

The then-unknown band lost their management, got hurt in a serious road crash and cut a dodgy deal – and that’s why they’re still around today

Louder

"I could have said a few words if Rick Wakeman would have shut up": Bill Bruford on the "civil war" at the heart of Yes's tumultuous induction into the Rock & Roll Hall Of Fame

Bill Bruford looks back on a famously fractious evening

Louder

Steven Wilson's return to the prog fold features on the front cover of the new issue of Prog Magazine, which is on sale now!

Plus Bill Bruford, Dream Theater, Readers' Poll Results, Jon Camp, Neal Morse, Mogwai, Tiger Moth Tales, White Willow, Matt Berry, Marko Hietala, Ritual and loads more

Louder

“Their own songs, freed from the dated sonics of their recorded counterparts, benefit most from the live treatment”: Anderson Bruford Wakeman Howe’s An Evening Of Yes Music Plus returns in 4-disc set

Sound and vision elements of 1989 pay-per-ew show brought together in clamshell

Louder

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Louder

“We were pot-smoking hippies and Rick Wakeman was a pub guy. The angle twisted and we went off in a new direction”: The epic story of Yes and the three albums that changed the course of music

Louder

“I can’t say what it will feel like…I’m wise enough to know I’ve got to hear this before judging”: How King Crimson offshoot BEAT moved from an all-star dream to reality

When Adrian Belew failed to persuade the 80s line-up to reunite, he had to come up with another way of bringing that decade’s three albums back to life – and he did it

Louder

The official film of King Crimson's legendary 1982 Munich show is now free to watch online

Watch Robert Fripp, Bill Bruford, Adrian Belew and Tony Levin unleash the King Crimson beast

Guitar World

“It dishonors that brand to say, ‘Now we’re King Crimson.’ But we do have the ability to say, ‘Look, this is legitimate – half of the band is onstage here”: Adrian Belew, Steve Vai and Tony Levin on how they made Beat – with Robert Fripp’s blessing

Performing material from King Crimson's trailblazing '80s oeuvre, Beat finds three kings of the strings with the peerless Danny Carey pushing the envelope and Steve Vai doing Robert Fripp proud

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Louder

"I've got my new band together now. I've got the Yes that I wanted": After half a century of Yes music, Jon Anderson talks about everything, from football to fairies

Fronting Yes he was one of the architects of prog rock, and now he fronts his own band. But that’s only part of his wondrous story

Louder

“An impressive overview of his restless curiosity and hunger”: Bill Bruford’s Winterfold & Summerfold Years 3-disc box set

Jazz, fusion, and a dash of muzak from the drummer’s electronic and acoustic experiments from 1977 to 2007

Louder

“It was extremely hard to deal with. But if you impose incredibly hard obstacles to making something, and people stay in the room, you might just get there”: The radical neutrality that gave birth to King Crimson’s Red

Robert Fripp, Bill Bruford, John Wetton and guests struggled to deliver the 1974 album that, for many years, remained severely underrated

Guitar World

“I would call our approach organized chaos, but it drove Allan Holdsworth up the wall”: John Wetton has been the bass force behind a peak-period King Crimson lineup and two prog rock supergroups

A veteran of one of King Crimson’s classic lineups, John Wetton’s amazing career took him through a host of British prog bands

Louder

Bill Bruford comes out of retirement to join Pete Roth Trio

Having retired from live and recorded performance on 2009, Bill Bruford returns to live music with jazz band Pete Roth Trio

Louder

“Our producer played the intro to Nevermore and I was just blown away”: How U.K. became Witherfall guitarist Jake Dreyer’s prog heroes

Astonished by the world of Allan Holdsworth and Bill Bruford in particular, he’s happy to explain how you’ll hear the supergroup in his own band’s material

Guitar World

“They just looked at each other like, ‘What the hell are we doing with this bass player?’” The late Mick Karn recalls his first tour with David Torn and Bill Bruford

Few electric bassists have a style as singular and strong as Japan’s fretless sorcerer

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