Mass at Donmar Warehouse: An easy win for a smugly liberal audience 3/5 This drama about a US school shooting has fine acting but can’t rise above hand-wringing Evening Standard · Apr 30
The Railway Children opera review: 'Were kids this nice in the 80s?' 3/5 This version of the classic children’s tale does not entirely convince by setting it in the Eighties Evening Standard · Nov 10, 2025
A Visit to Friends at Aldeburgh Festival: 'an opera with a totally new harmonic language' 4/5 Composer Colin Matthews has produced his first opera and sprung a huge surprise with this ambitious work at Aldeburgh Festival Evening Standard · Jun 16, 2025
The Grapes of Wrath review: Steinbeck’s hymn to human misery and endurance is epic but scrappy on stage Cherry Jones is wry and warm in Carrie Cracknell’s revival of Steinbeck’s story about a sprawling clan of dustbowl refugees in the Depression era – but the elements of this three-hour production don’t always fully connect The Independent UK · Aug 1, 2024
The Coronation of Poppea at Hackney Empire review: lust, selfishness, greed for power - how modern! With this much wit and excellent performances, this new production will likely tighten up over the course of its tour Evening Standard · Oct 2, 2023
The week in classical: Dialogues des Carmélites; Tristan und Isolde; LSO/Rattle – review Poulenc’s shattering opera disturbs and confounds in Barrie Kosky’s new Glyndebourne production; Wagner meets the pre-Raphaelites at Grange Park Opera. Plus, a thrilling farewell from Simon Rattle The Guardian - UK · Jun 17, 2023
Dialogues des Carmélites review – jeggings not wimples but Poulenc’s opera grips and haunts still Barrie Kosky’s powerful new contemporary-set production is brought to life by a remarkable cast, led by Sally Matthews, and, in the pit, the LPO and Robin Ticciati bring heartbreaking delicacy and energy The Guardian - UK · Jun 11, 2023
Don Giovanni review – obsession, distress and danger in uneven new production Mariame Clément’s thoughtful staging brings depth and insights but feels, at times, at odds with the score’s sensuality and demonic fire. In the pit, conductor Evan Rogister favours speed over dramatic weight. The Guardian - UK · May 21, 2023
Lucrezia Borgia review – dark and atmospheric Donizetti from English Touring Opera Eloise Lally straightforwardly tells this convoluted story of concealed identity ending in a mass poisoning The Guardian - UK · Mar 5, 2023
The week in classical: glass human; An Anatomy of Melancholy; The Moon Hares review – opera for a lonely world A new chamber opera explores isolation and connection, a John Dowland recital strikes a note of exquisite pain – and a community opera enchants with a modern fable The Guardian - UK · Nov 5, 2022
La Bohème review – Death stalks Puccini’s lovers in a riveting Glyndebourne show Floris Visser’s new production puts a dark spin on this story of doomed lovers – which only heightens the life-affirming vibrancy of the music The Guardian - UK · Jun 12, 2022