The Latest Breaking News from Riccardo Muti

Maestro Riccardo Muti chose to perform the hourlong Symphony No. 2 in E Minor, Op. 27, in full, and he made sure the energy never flagged and the orchestra’s focus never wavered.

Court Theatre’s Oedipus musical, Disney’s ‘Aladdin,’ Riccardo Muti’s CSO return and a Van Gogh exhibit are among the week’s cultural highlights.

While in Jordan for a symphony concert, Muti plans to visit the Zaatari camp, a symbol of the long-running Syrian refugee situation and home to about 80,000 refugees nearly 11 years after it was set up near the Syrian border.

Italian conductor Riccardo Muti plans to visit Syrian musicians living in the vast Zaatari refugee camp in Jordan on the sidelines of his annual Roads of Friendship concert series that aims to use music to build bridges and help those affected by war. Muti will conduct Italian and Jordanian musicians…

Italian conductor Riccardo Muti plans to visit Syrian musicians living in the vast Zaatari refugee camp in Jordan on the sidelines of his annual Roads of Friendship concert series that aims to use music to build bridges and help those touched by war

Daniele Rustioni knew he wanted to be a conductor from the time he was 10

With Muti’s departure as music director at the end of June coming ever closer, each of his appearances with the orchestra seems to carry added meaning and emotion, and it certainly felt that way Thursday.

‘1776,’ a ‘Stevie Wonder Experience’ stage revue, and the 26th annual Chicago European Union Film Festival are among the highlights in the week ahead.

Music director Riccardo Muti will be stepping down from his post, but will remain an integral part of the orchestra’s operations and will return to the podium for a series of concerts.

The Niles West High School senior has played Carnegie Hall and some of Europe’s great concert venues. But his biggest accomplishment is playing at all after his stroke in July.

It is a mighty work that requires a mighty performance, and it got that Thursday evening, the kind that is only possible when a top-level conductor and top-level orchestra are completely in sync.