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The Latest Breaking News from Paul Simonon

“When we were mixing, he used to get so excited that I used to have to hold him down with one hand and try and carry on the manual mix on the desk with the other": The making of the Clash’s mature masterpiece, London Calling

How football, thrown ladders and destroyed pianos combined to create the "album of the 80s"

MusicRadar

Gorillaz bring out De La Soul while playing Plastic Beach in full

Last Saturday saw the band play their acclaimed second album Demon Days in full.

Evening Standard

“The bouncers wouldn’t let the audience stand up. That frustrated me to the point that I destroyed my bass guitar”: The Clash's Paul Simonon reflects on that iconic London Calling moment

Paul Simonon smashed his Fender P-Bass during a concert at New York’s Palladium on September 20th, 1979

Guitar World

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“I don’t think Joe would’ve been happy retreading any steps he’d made already”: Paul Simonon on why The Clash never reunited

The Clash bassist added that he still keeps in touch with his old bandmates

Louder

10 musicians who destroyed their instruments: "For Hendrix, there was something ritualistic about burning a Fender Stratocaster"

Whether it's to make a statement, rile up an audience or add a rebellious edge to a music video, trashing our gear has become something of a tradition in the rock world

MusicRadar

“My brother was into Yes but it didn’t speak to me. They knew too many chords!” He was a punk hero, while her dad was Kevin Ayers and Daevid Allen was her babysitter. How Galen Ayers turned Paul Simonon onto prog

2023's unlikeliest duo discuss art as inspiration, Hendrix's guitar and the forthcoming Kevin Ayers’ reissues

Louder

Marillion and four great gifts in the new issue of Prog, on sale now...

Plus Francis Monkman, Dave Stewart, Renaissance, Rod Argent Wishbone Ash, Lazuli and loads more...

Louder

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Rare footage shows spectacular Edinburgh Clash performance during 1985 busking tour

The video footage shows frontman Joe Strummer singing upside down with bright orange hair as onlookers took in the Clash's performance outside of the Gateway Exchange.

Edinburgh Live

U2’s Adam Clayton: “The bass has to either be sexy or aggressive, or it shouldn’t be there as far as I’m concerned”

The bassist for one of biggest rock bands of all time on cramming a stadium-ready rig into Fender’s first-ever signature bass amp, what prompted him to play an Ibanez on one of the group’s most iconic songs, and why he’s only just started exploring five-strings four decades into his career

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