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Following on from the success of Kate Winslet’s biopic Lee, released last year, Lee Miller has never been more in vogue. Unsurprisingly perhaps, tickets for the new Lee Miller retrospective at Tate Britain sold out during its first weekend.

Tate Britain’s Lee Miller retrospective is an education for all photographers

IN FOCUS: For too long, Lee Miller’s life and work has been seen through the lens of her personal life as Man Ray’s lover and muse to Picasso. A new retrospective at Tate Britain affords her wider recognition for her Surrealist artistry, writes Mark Hudson

From dancers to divas, amputees to activists: what images of the human form throughout the decades tell us about who we are

Tate St Ives hosts an intriguing show by occultist and artist Ithell Colquhoun, the Warburg Institute explores tarot and the Barbican exhibits Noah Davis’s dreamlike paintings of everyday Black life – all in your weekly dispatch

A unique exhibition – "Dancing in the Light" – is blending light-inspired artworks with dance performances, thanks to the participation of a dozen international choreographers.

From Louis Vuitton x Richard Prince to Schiaparelli’s collaboration with Salvador Dalí, we look back at fashion’s bold artistic vision ahead of Frieze 2025

Kate Winslet battled for eight long years to get her biopic of American war photographer Lee Miller made, and this week finally saw its UK release. The Lee in question is the American-born Elizabeth “Lee” Miller, a remarkable woman whose glamorous and colourful life has often overshadowed her photographic career.

Lee Miller lived a truly incredible 20th-century life. This year she has already been name-checked in Alex Garland’s film Civil War, but she has always deserved a dedicated big-screen treatment. Kate Winslet’s new biopic Lee, directed by American cinematographer Ellen Kuras, does just that.