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The Latest Breaking News from Joe Perry

Kurt Cobain's 1989 Takamine expected to fetch up to $500,000 at auction – alongside guitars played by the likes of Eric Clapton, Eddie Van Halen, David Bowie, Joe Perry and Melissa Etheridge

This year's Music Icons sale – organized by Julien's Auctions – includes over 700 collectible items from some of the world's biggest guitar stars

Guitar World

Joe Perry announces his first big post-Aerosmith tour – and he’ll be playing with members of Aerosmith, Black Crowes and Stone Temple Pilots

The guitarist is keeping busy after Aerosmith retired from touring, and he’s recruited quite the cast for his latest solo tour

Guitar World

Video: Steven Tyler and Joe Perry reunite onstage in San Francisco

Tyler and Perry have performed together for the first time since Aerosmith's Peace Out... tour was abandoned in 2023

Louder

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Klon Centaur creator Bill Finnegan once said that the hype around his pedal was “ridiculous,” yet originals still fetch $10,000 or more on the secondhand market. With plentiful, far cheaper clones, why does the Klon remain a holy grail pedal?

Klons have been used by Jeff Beck, John Mayer, Joe Perry, Ed O'Brien, and countless other guitar heroes, and are often spoken about as a sort of overdrive sword of Excalibur. But what exactly sets them apart? And how did they become so darn valuable?

Guitar World

“We were drug addicts dabbling in music, rather than musicians dabbling in drugs”: The unhinged story of Aerosmith’s Draw The Line, the album that sent them crashing off the rails

Drugs, dysfunction and 1977’s Draw The Line album sent Aerosmith into a tailspin that would take a decade to pull out of

Louder

“I always felt like that record could have been better if we had worked on it some more”: Looking for a blockbuster comeback album, Aerosmith turned to Van Halen producer Ted Templeman. For Joe Perry, it served as a learning experience

Having been impressed by the producer’s touch on Van Halen's “monstrous” records, Templeman was tasked with reigniting the band’s spark

Guitar World

“I don’t want to sound pro-drug or anything, but there is something about being high that makes you look at things differently”: How Aerosmith made their first great chemically-fuelled masterpiece Toys In The Attic

Aerosmith were always destined for stardom – and Toys In The Attic was the album that finally got them there

Louder

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“I got a long text message praising the amp and talking about tone. I’m like, ‘Holy crap… I think this is Joe Perry!’” Why Silktone’s tube amp range is rapidly gathering big-name fans

Self-taught boutique builder Charles Henry puts musicality first with his designs, winning fans including Grace Bowers and Yvette Young – but he’s only just getting started

Guitar World

“Things had got pretty bad. I don’t know what demons Steven was fighting, but we definitely both had our ups and downs”: How Done With Mirrors put Aerosmith back on the long road to redemption

In 1985, the reunited Aerosmith had a long way to go to recapture old glories –and Done With Mirrors was the first step

Louder

“When I read stories about guys who snorted everything they had, I said, ‘That‘ll never happen to me.’ But in the end I blew 20 million”: The wild story of Aerosmith’s spectacular 1980s fall and rise

They started the 80s in drug-addled disarray and ended it bigger than ever

Louder

Aerosmith to reunite for a performance at Steven Tyler's charity event

Aerosmith look set to reunite for a performance at frontman Steven Tyler's Jam for Janie Grammy Awards Viewing Party next month, after the group called time on touring in August.

BANG Premier

“Whenever I’d see him play live it was an off-the-rack Strat. He was never one to say, ‘I’ve got to play that’”: Joe Perry says he was planning to take Jeff Beck’s Strat on tour with Aerosmith –but its owner was the only special thing about it

The Aerosmith great been discussing friendship with the late, great Beck – and says he almost took his Strat on tour last year, before the shows were cancelled

Guitar World

“Our best friends were drug dealers. We identified with them because we felt like outcasts, menaces to society”: The chaotic story of Aerosmith’s early years

The birth of American rock’s original Crazy Gang

Louder

“I was doing a gig, I dropped the pick, and I was drunk. I was afraid if I bent over to pick it up, I'd fall. So I played the rest of the show without the pick and started to really like it’”: What Jeff Beck told his friend Joe Perry

Beck’s guitars are up for auction this week

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Louder

“Our manager started making up rumours that I was back on heroin and the band were breaking up”: How Aerosmith defied grunge and a giant meteor to become bigger than ever in the 1990s

Aerosmith were huge in the 70s and 80s - but the 1990s was their most successful decade ever

MusicRadar

“I said, 'We don't do that. We don't steal stuff.' I always felt bad about it”: How Aerosmith guitarist Joe Perry acquired Jeff Beck's fuzz pedal - and what he did to pay him back

The trouble started with a light-fingered tour manager…

Guitar World

“Anti-colonialist anguish, hope, joy and the search for connection, all through his guitar. That’s what makes a guitar hero”: Guitarists of the Year 2024 – the players who took 2024 by storm

Slash made a blues record. St. Vincent boggled our minds again. And Grace Bowers blew everyone away… Here we take a look at the players who made 2024 a banner year for the instrument

Louder

“We drank a lot because of the blow and we got blown a lot because we drank a lot”: The wired story of Aerosmith’s drug-fuelled classic Rocks

The drugs really were working for Aerosmith on 1976’s classic Rocks album

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Guitar World

“Joe Perry was running close to 15 cabs on stage, and he ended up asking Tony to turn down. The amp was only on 4”: From Eddie Van Halen’s amps to the art of boosting, here are Tony Iommi’s tone secrets – from the man who knows them best

Producer Mike Exeter has worked with Iommi for over three decades, and knows exactly what the Godfather of Heavy Metal wants from his sound – and just how to get it

Guitar World

“It’s a great piece for your arsenal. I did some recording with mine and it worked great”: Joe Perry names his new favorite amp company

The firm may be relative newcomers on the scene, but the Aerosmith man says its amps are helping him get the most out of his pedals

Guitar World

“A lot of my peers have turned to modelers. I’m not there yet. It still feels like an electronic toy to me”: Jerry Cantrell on his love of guitar duos, vibing off Jeff Beck on his solo album –and why he remains a digital tone skeptic

The Alice In Chains guitarist discusses sticking to tubes, breaking out the talkbox and the potty-mouthed solo sessions behind his new album I Want Blood

Guitar World

“The Janie’s Got a Gun solo had a ratty sound. I had a Chet Atkins signature guitar plugged into a 15-watt Marshall practice amp... the producer said, ‘It sounds terrible’”: Joe Perry on 50 years of Aerosmith, and what it takes to nail his “working tone”

As Aerosmith call timeon their stellar 50-year touring career, Perry joins us to reflect onwhathe’slearned about guitar along the way – the tones that work, the tones that don't, and the invaluable lesson he learned from Keith Richards

Guitar World

“I’ve probably had an equal number of guitars stolen as what I’ve sold”: Joe Perry names the desert-island pickup that nobody talks about, explains why there are no bad tones, and makes an appeal for the cheap guitar he foolishly sold and wants back

Aerosmith and Hollywood Vampires’ swaggering six-stringer runs through his many exploits, leading a hundreds-strong collection of unique, vintage and always usable guitars

Louder

"If you were playing with two other rock bands, you wanted to be the band that people remembered when they walked out": How Aerosmith got their wings and flew

With their label ready to drop them after a so-so first album, Aerosmith clung on, dreamed on, and recorded a second that gave them lift-off: Get Your Wings

Guitar World

“I wrote that riff on the Fender six-string bass. I saw Peter Green with Fleetwood Mac pick one up. I thought, ‘I’m gonna get one’”: Joe Perry on how he ditched his Les Pauls and Strats to write an Aerosmith classic

Perry had been eyeing the Fender Bass VI for quite some time – which turned out to be the perfect instrument to write 1976's Back in the Saddle

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