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The Latest Breaking News from Brad Whitford

“I got up on stage and my guitar tech goes, ‘Slash wanted me to give you this.’ It was the ’59. It was dead silent in the room”: Joe Perry on the painful memory of selling his ’Burst – and why he’ll never forget the moment it came back to him

The Aerosmith guitarist was forced to sell his most cherished guitar in the late-’70s and spent years trying to get it back, until Slash made the ultimate guitar collector sacrifice

Guitar World

“We got on the stage and I just remember watching people walk away before we even started playing”: Brad Whitford and Joe Perry on the time Aerosmith were upstaged by their support act

The guitarist – who came before an Aerosmith festival headline slot – returned to the stage for three separate encores and proved to be a tough act to follow

Guitar World

“He’s written some of the heaviest, greatest rock riffs of all time. That’s served me tremendously”: How Harrison Whitford balances inspiration from Aerosmith guitarist dad Brad, boss Phoebe Bridgers and his devotion to alternate tunings

Determined to find his own sound and voice, the guitarist’s latest project Attention Bird Utopia fuses what he’s learned about being inside powerful songs, writing in alternate tunings and remembering to listen

Guitar World

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“He did this encore. Went off. They made him come out again. Another encore. They wouldn't stop. He came out for three encores”: Aerosmith’s Joe Perry and Brad Whitford on the time they were completely upstaged by their support act, a young Rory Gallagher

It happened at a Central Park festival

MusicRadar

“We got on the stage and I just remember watching people walk away before we even started playing”: Brad Whitford and Joe Perry on the time Aerosmith were upstaged by their support act

The guitarist – who came before an Aerosmith festival headline slot – returned to the stage for three separate encores and proved to be a tough act to follow

Guitar World

"We headlined, but he kicked our ass": Joe Perry and Brad Whitford on the support act who blew Aerosmith off the stage

In the summer of 1974, Aerosmith still hadn't broken New York, and their support act wasn't helping

Louder

"I cracked my skull and was in the hospital. And nobody called me": How America's most dysfunctional band grew to hate each other but learned to love again

Steven Tyler, Joe Perry, Brad Whitford, Tom Hamilton and Joey Kramer on the making of Aerosmith's Music From Another Dimension!

Louder

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“Love in an elevator? Yeah, I've done it!”: Steven Tyler and Joe Perry on the making of the Aerosmith classic Pump

Plus: the Aerosmith song that Slash said was "too pop"

MusicRadar

“No, man! If we had had this level of success in the 70s we would not be here now. We would never have survived it”: The wild story of Aerosmith’s Pump, the album that turned them into superstars all over again

How a drug-free Aerosmith hit a new career high with 1989’s Pump

Louder

On the road with America's loudest survivors: Aerosmith, Kiss, and the making of Honkin' On Bobo

With the back-to-basics blues-oriented album Honkin' On Bobo, Aerosmith let the music do the talking once again

Louder

“We were getting comfortable being back together – that was part of the reason we went out on the road without a record deal. Another reason was that we couldn’t get a record deal...” Why Aerosmith’s ’80s misfire, Done With Mirrors, was the making of them

After a few weird years with replacement guitarists, the Bad Boys from Boston were back and ready to prove themselves. It did not quite go to plan. We’ll let Joe Perry explain the rest…

Guitar World

Joe Perry announces his first big post-Aerosmith tour – and he’ll be playing with members of Aerosmith, Black Crowes and Stone Temple Pilots

The guitarist is keeping busy after Aerosmith retired from touring, and he’s recruited quite the cast for his latest solo tour

Guitar World

“We were drug addicts dabbling in music, rather than musicians dabbling in drugs”: The unhinged story of Aerosmith’s Draw The Line, the album that sent them crashing off the rails

Drugs, dysfunction and 1977’s Draw The Line album sent Aerosmith into a tailspin that would take a decade to pull out of

Louder

“I always felt like that record could have been better if we had worked on it some more”: Looking for a blockbuster comeback album, Aerosmith turned to Van Halen producer Ted Templeman. For Joe Perry, it served as a learning experience

Having been impressed by the producer’s touch on Van Halen's “monstrous” records, Templeman was tasked with reigniting the band’s spark

Guitar World

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Louder

“I don’t want to sound pro-drug or anything, but there is something about being high that makes you look at things differently”: How Aerosmith made their first great chemically-fuelled masterpiece Toys In The Attic

Aerosmith were always destined for stardom – and Toys In The Attic was the album that finally got them there

Louder

“Things had got pretty bad. I don’t know what demons Steven was fighting, but we definitely both had our ups and downs”: How Done With Mirrors put Aerosmith back on the long road to redemption

In 1985, the reunited Aerosmith had a long way to go to recapture old glories –and Done With Mirrors was the first step

Guitar World

“Growing up, Kiss was always ‘Dad’s work’… I knew something was up when I moved to New York at 18, and I was seeing his face on billboards all the time”: These rockstar sons all grew up with guitar legends as fathers. Now they’re forging their own careers

What's it like to make music when your dad is a legend in the business? We ask Tommy Prine, Greg Guy, Evan Stanley, Michah Nelson, Duane Betts and Harrison Whitford

Louder

“When I read stories about guys who snorted everything they had, I said, ‘That‘ll never happen to me.’ But in the end I blew 20 million”: The wild story of Aerosmith’s spectacular 1980s fall and rise

They started the 80s in drug-addled disarray and ended it bigger than ever

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BANG Premier

Aerosmith to reunite for a performance at Steven Tyler's charity event

Aerosmith look set to reunite for a performance at frontman Steven Tyler's Jam for Janie Grammy Awards Viewing Party next month, after the group called time on touring in August.

Louder

“Our best friends were drug dealers. We identified with them because we felt like outcasts, menaces to society”: The chaotic story of Aerosmith’s early years

The birth of American rock’s original Crazy Gang

Guitar World

“Anti-colonialist anguish, hope, joy and the search for connection, all through his guitar. That’s what makes a guitar hero”: Guitarists of the Year 2024 – the players who took 2024 by storm

Slash made a blues record. St. Vincent boggled our minds again. And Grace Bowers blew everyone away… Here we take a look at the players who made 2024 a banner year for the instrument

Louder

“We drank a lot because of the blow and we got blown a lot because we drank a lot”: The wired story of Aerosmith’s drug-fuelled classic Rocks

The drugs really were working for Aerosmith on 1976’s classic Rocks album

Louder

"If you were playing with two other rock bands, you wanted to be the band that people remembered when they walked out": How Aerosmith got their wings and flew

With their label ready to drop them after a so-so first album, Aerosmith clung on, dreamed on, and recorded a second that gave them lift-off: Get Your Wings

Guitar World

“I was in the studio, and the phone rang. It was Lou Reed. I’d never met him. He called me, saying, ‘I saw a picture of you with this guitar…’” Joe Perry on Aerosmith’s roaring ’70s, writing Dream On – and being a B.C. Rich early adopter

It was the season of light, it was the season of darkness, it was the ‘70s, the era of TV set defenestration, and Aerosmith got bigger, it began to fall apart. Here, Perry looks back on the decade that made them (and near broke them)

Guitar World

“We put out Rock in a Hard Place and went out on the road, which was the definition of the word ‘fiasco.’ Too many shows ended early due to the excessive use of chemicals”: Tom Hamilton on Aerosmith’s past challenges – and why they still have a future

Still finding inspiration, he explains how close the band came to missing out on Sweet Emotion, his near-grudge over Janie’s Got a Gun, why he was glad Joe Perry quit and the development of his video screen bass

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