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Louder
Louder
Entertainment
Paul Rees

“Things had got pretty bad. I don’t know what demons Steven was fighting, but we definitely both had our ups and downs”: How Done With Mirrors put Aerosmith back on the long road to redemption

Aerosmith posing for a photograph in 1986.

Upon hearing that Done With Mirrors is being reclaimed as one of the great lost albums of the 1980s, Joe Perry’s reaction is one of surprise. Or perhaps outright disbelief would be a more accurate description. From when he first begins speaking today at his home in Florida, the guitarist can barely form a coherent sentence to encapsulate his thoughts on Aerosmith’s eighth studio album.

At the time it was also a contender for their least well-regarded, an ignominy it then shared with its immediate predecessor, Rock In A Hard Place, made without Perry and when the great Boston band were at their lowest ebb. After wandering up several grammatical blind alleys, with much huffing, puffing and sighing, Perry eventually settles upon a question: “Um, whatever possessed you guys to pick that one?”

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