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The Latest Breaking News from Jimmy Iovine

Pussycat dolls star Ashley Roberts looks back: ‘We had to be resilient – if your toe breaks, you still do the show’

The singer on falling in love with dance, surviving the paparazzi, and reuniting with Kimberley Wyatt and Nicole Scherzinger

The Guardian - UK

Spotify claims it saved the music industry – but who will save us from the streaming model?

Many musicians would scoff if you told them Spotify has saved the music industry

What Hi-Fi?

"She steps in the room with us, a rock'n'roll band that's fronted by a guy she adores": How a song from Tom Petty's reject pile unwittingly became the massive hit single that launched a Fleetwood Mac icon's solo career

Unhappy with Fleetwood Mac's Tusk album, Stevie Nicks gravitated towards a band whose music she preferred

Louder

From analysis to the latest developments in health,
read the most diverse news in one place.

“I thought, ‘Enough. I don’t know that I need this kind of thing’”: In the early 90s, Nine Inch Nails’ Trent Reznor was at war with his label – so he did the most extreme thing he could

Between NIN’s Pretty Hate Machine and The Downward Spiral came Trent Reznor’s most extreme artistic statement

Metal Hammer

“We all blamed each other, but we never doubted the song”: It took Tom Petty & The Heartbreakers more than 100 takes to nail one of their greatest songs – and it still ended up being “an albatross” around their necks

When Tom Petty & The Heartbreakers teamed up with a hotshot new producer for a 1979 classic, it nearly broke the band

Louder

The Controversy Surrounding Boyz N The Hood's Release In 1992 Made Me Want To See It, But When I Did, It Wasn't What I Expected

Only a real man can raise his children.

Cinemablend

“I went to the label and said, ‘This song sucks. This is not the song I wrote.’ They said it sounded fine. I did not agree”: When a songwriter went to war with her producer and record company over the track that became a ’90s anthem

An idiosyncratic and insanely catchy rock-pop classic

MusicRadar

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“It took me a few years to figure out that if you’re going to play Fender guitars, you play with Fender amps”: Ryan Hedgecock stuck to his own creative path, even when Lone Justice were torn apart

The country crossover pioneer’s desire to explore the “indigenous sound of LA” has never left him – and it’s bringing about a full-circle moment as he reactivates Parlor James and plans a hardcore cowpunk solo record

Guitar World

“The way we played guitar, the way I voiced against Tom, we found it on American Girl. I thought, ‘This is us.’ Those two guitars helped make it happen”: Mike Campbell on how his lifelong musical connection with Tom Petty was forged in a matter of days

As he celebrates the release of his memoir, Heartbreaker, Tom Petty’s right-hand man and dear friend reflects on a career’s worth of enduring hits, and why he “never doubted the music”

Guitar World

“Did the the label put pressure on us? Big time. I wish they had won, looking back. We often ask ourselves ‘what were we thinking?’” Simple Minds guitarist Charlie Burchill on the regrets and rewards of making their ’80s classic, Once Upon A Time

Riding high on The Breakfast Club success of Don't You (Forget About Me), Scottish rockers Simple Minds got into the studio with Jimmy Iovine and made one of the great albums of the '80s

Guitar World

“Geffen thought we were too young to write our own songs. Bob Dylan wrote a song, Bruce Springsteen had a song”: Ryan Hedgecock on Lone Justice's brief but fierce ’80s run – and how Tom Petty and Mike Campbell ended up penning a song on their debut

The promising young band were the subject of a flurry of publicity after they were signed to Geffen, but a behind-the-scenes mismatch in vision led to the outfit's premature demise

Guitar World

“Tom listened to it and said, ‘It sounds kind of jazzy.’ I went back and changed the chorus, and that’s the version I played for Don”: Mike Campbell on writing The Boys of Summer with Don Henley – after Tom Petty passed on it

Campbell made an all-important change to the song before handing it over to Henley

Guitar World

“Mick Ronson came to see one of the Springsteen shows, and he was just so proud of me. He had a classic rock ‘n’ roll existence, but I love him for all that”: Shane Fontayne on the kindness of Ronson, serving the Boss –and playing Stairway for Jimmy Page

His career highs include surprising Stevie Van Zandt with an improvised part, jamming with U2, and playing Stairway To Heaven with the Heart sisters while Jimmy Page was guest of honor

Guitar World

Psychic tests! Pet wolves! Chicken coops! Guns N' Roses and the wild ride towards Chinese Democracy

Ever wondered why Chinese Democracy took so long to make? This is the truly unbelievable story of a year in the life of Axl Rose

Metal Hammer

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news in one place.

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TechRadar

'Exploitative use of AI is social media; we already have it – it's called you don't own your data’: will.i.am talks tech, LG, and using AI responsibly

‘The public is not aware of just the power of data’: will.i.am on speaking to our speakers, responsible use of AI and, er, scrolling Insta on the toilet.

Louder

10 huge hits given away from one artist to another

From Prince to Joni Mitchell and Macca to the Bee Gees, the stars who were in such a creative purple patch that they had classics going spare and shopped them elsewhere.

Louder

"I woke up three days later, in France, in this stupid castle, and I'm thinking: 'What just happened?'": How Stevie Nicks escaped the chaos of Fleetwood Mac and soared solo

In 1980 Stevie Nicks stepped out of Fleetwood Mac with a hit-laden debut solo album that showed she could fly just as high on her own

MusicRadar

"He didn't tap a foot or move his head or anything. He listened to it all the way through and I thought he hated it": When an Eagle, Heartbreaker, Roger Linn and an Oberheim OB-X combined forces for a pop masterpiece – the Boys Of Summer story

Best of 2024: Tom Petty rejected Mike Campbell's synth and drum machine demo, Don Henley didn't make that mistake… but the 1984 hit had other obstacles to overcome

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news in one place.

100's of premium titles.
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Louder

“They’re starting to call us punks. It was absurd, these stupid labels. One day I said to a guy, ‘If you call me a punk again, I’m gonna cut ya’”: How Tom Petty took on the record industry and won with Damn The Torpedoes

The story behind Tom Petty’s classic 1979 album Damn The Torpedoes and its follow-up Hard Promises

The Guardian - UK

‘It was a really lonely time’: Alison Moyet and Dave Stewart on making Is This Love?

‘The lyrics reflect the fact that I was in quite a dark place – but subverting it all, in a GCSE English kind of way’

Louder

An expanded, deluxe edition of Tom Petty's Long After Dark is on the way

Watch a newly remastered performance video of the Heartbreakers' fan favourite Straight Into Darkness

Guitar World

“Everybody was trying to make money off us, and we were oblivious. I thought everybody understood what we were doing. We weren’t trying to be Nirvana”: Page Hamilton on Helmet’s 1994 classic Betty – the unsung curveball the critics tried to kill

After the claustrophobic intensity of Meantime, Hamilton opened up the doors and chased down different sounds on album number three. No one was ready for Betty

Evening Standard

Snoop Dogg: No way me and Dre get cancelled. You can’t cancel the culture.

Last week, the rapper and Dr Dre performed together in London for the first time in 30 years. He talks to David Ellis about his legacy, canned cocktails — and why laws don’t matter to him

Wallpaper

The new Beats Pill: exclusive interview with Apple’s Oliver Schusser

Oliver Schusser, an Apple Vice-President, is in town to talk Pills, thrills and heartaches. We sat down to explore the Beats portable music strategy

Guitar World

“Mick Ronson was the guitarist prior to me. He was one of my heroes, so when I joined that band I had some pretty big shoes to fill”: The Fixx’s Jamie West-Oram on his journey from distorted rocker to new wave guitar hero – and why he's big on Suhr

West-Oram's guitar tone is reference for a whole generation. Here we discusses its evolution from mono to stereo, and the songwriting approach behind his new solo album, Skeleton Key

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