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The Latest Breaking News from JHS Pedals

“The ultimate pedal demo guitar”: You’ve seen it in the JHS Pedals demos – now you can get a signature version of Josh Scott’s custom Bilt Relevator

The first 100 models sold out in 15 minutes but more are on their way

Guitar World

Meet the $99 stompbox that’ll crush your bits – JHS expands its affordable 3 Series with three exotic effects for your pedalboard

JHS Pedals unveils a ring modulator, glitch delay and bit crusher that's priced for beginners, because an affordable pedal can be fun and a little weird too

MusicRadar

“Pedal history is in danger. ChatGPT is rewriting fact”: Josh Scott of JHS Pedals interrogated AI on the pedal industry – and what he found should alarm us all

Misinformation, feedback loops, and a lack of detailed sources sit at the root of the problem, he says

Guitar World

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“I told myself I’d stop buying JHS Pedals gear. At this rate, my pedalboard is going to look like a shrine to the company”: All the guitar gear that caught my eye this week – including the most outrageous Ibanez I think I’ve ever seen

Feast your eyes on all the weird and wonderful guitar gear that dropped this week, with new releases from Strymon, Ibanez, Catalinbread, and more

Guitar World

“If you love Hendrix, Jack White, Gary Clark Jr, Beck, Black Keys, or the octave fuzz on John Mayer’s Belief – you already know you want this”: JHS Pedals’ turns loose the Coyote, a fuzz pedal tribute to a “lost” cult classic and its maker

A two-knob fuzz that's got three modes – including some octave-up craziness – all at the turn of a dial, the Coyote replicates the circuit of the late Glenn Wylie's unique, brilliant Moonrock Fuzz

MusicRadar

“Way more rare than a Klon”: JHS Pedals pays tribute to mysterious pedal builder with the Coyote – a new fuzz based on one of the rarest pedals of all time

The three-in-one fuzz is based on G.S. Wyllie’s Moonrock – and it took Josh Scott six years to find one

Guitar World

“More aggressive, more physical, more raw and in tune with the animal kingdom”: Electro-Harmonix Big Muff Pi 2 Dual Op-Amp Fuzz review

A schematic, lost in the shuffle, resurfaces with the help of JHS Pedals supremo Josh Scott, and presents us with a fresh slice of Pi

Guitar World

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“There’s plenty of output to use the pedal as a conventional boost with tonal options. And there’s a whole area of dirt to be explored”: JHS Pedals 424 Gain Stage review

The latest from JHS Pedals captures the sound of plugging your guitar into the input stages of a vintage multi-track recorder, aka, the mk.gee approach

MusicRadar

“It’s about time this unsung guitar great received the recognition he deserves”: All the guitar gear that has caught my eye this week – including a firm-first from my favorite pedal brand

New drops from Gibson, Ernie Ball Music Man, JHS Pedals and more

Guitar World

“I wanted to take old garbage octaves from our past and make my version”: JHS Pedals’ first-ever octaver is imperfect and unpredictable – and that’s the whole point

The all-analog stompbox draws from octaves of old for a purposefully imperfect pedal that puts up a fight

Guitar World

“This is the best we’ve ever built. Period”: JHS Pedals says it has just made the ultimate first-stage overdrive pedal – and the inspiration came from a bona fide jazz legend

Josh Scott says witnessing a soundcheck gave him the idea of the Morning Glory Clean – which reimagines the world-beating transparent overdrive

Guitar World

“It’s taken its time, but finally one of rock music’s most iconic instruments has been launched as a signature run”: All the guitar gear that has caught my eye this week – including a follow-up to the internet-breaking Bad Monkey story

It's pedal mania this week, with new drops from Strymon, JHS Pedals, and DigiTech – but a long-awaited replica of Tom Morello's legendary Rage Against the Machine guitar steals the spotlight

Guitar World

“We found it. We built it”: A forgotten design for the Big Muff 2 spent 50 years buried in dust – now JHS Pedals and Electro-Harmonix have unearthed it and turned it into a reality

During a research trip for his new book, Josh Scott stumbled upon a never-before-seen circuit drawing that offered an alternate take on the Op-Amp Big Muff concept

Guitar World

“This unreleased circuit, hidden for decades, represents an alternate, previously unknown branch of Big Muff development”: Electro-Harmonix and JHS Pedals team up to release a “lost” Big Muff

While researching a book on the history of EHX, Josh Scott found a 50-year-old schematic from Big Muff inventor Bob Myer. He took it to the breadboard and now it's here... The Big Muff 2

MusicRadar

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MusicRadar

DOD reimagines a Gary Moore overdrive favourite as the Badder Monkey – think the DigiTech Green Monkey, only badder, and with a wooden 360º barrel dial

DOD creates the king of the pedalboard swingers, combining the original Bad Monkey circuit with two new drive circuits, and some truly bananas ways of blending them all

Guitar World

“This isn’t a remake. It's an evolution”: The DigiTech Bad Monkey broke the internet with its Klon-aping antics – now it’s back and badder than ever before

The unassuming budget overdrive sent the gear world into a frenzy when JHS Pedals' Josh Scott pitted it against a Klon Centaur – and the differences were borderline indistinguishable

Guitar World

“Legends never die. They evolve”: Ross Electronics returns under new family stewardship – a year after JHS Pedals’ ill-fated revival

Josh Scott’s company had tried to bring Bud Ross’ beloved pedals back for a new era – but now the firm is going in a new direction

Guitar World

“It’s like a playground. There are so many things you can do with this”: JHS Pedals retools one of its most underrated distortion pedals for its 10th anniversary

The JHS Kilt 10 arrives with an updated clipping circuit, higher headroom, and more nuance than ever before

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MusicRadar

In 2015, JHS Pedals released what it called the “ultimate dirt pedal” – now it has made it better with a revised circuit featuring a heap of player-requested features and more headroom

What’s up yet Kilt? On JHS Pedals’ 10th anniversary limited edition, it’s a whole lotta mods to make it even more versatile, and amp and mix friendly

Guitar World

“It’s a pedal that’s never existed before, no doubt about it”: Jack White’s Third Man Hardware and JHS Pedals have released a ‘horse-powered’ delay pedal – and it was all over White’s most recent album

The Troika Delay is a reimagining of a rare Japanese boutique pedal that Josh Scott never knew existed

MusicRadar

“A multi-purpose, studio-grade delay device like you’ve never seen before”: Jack White used the prototype of this “studio-grade” delay on No Name and now you can buy it – meet the JHS Pedals x Third Man Hardware Troika

Jack White's latest pedal collab is a doozie for your pedalboard or studio, a slider-equipped delay for your voice and your guitar, equipped with both XLR and 1/4" inputs

Guitar World

“It irritated a few people! I saw a couple of other pedal builders who seemed to be annoyed by how toy-like and fun it was”: Josh Scott on the Notaklön’s wild success, recovering from his mountain bike crash – and his gratitude to John Mayer

As he recovers from mountain biking injuries, Scott recalls how the NotaKlon irritated other pedal makers, how he underestimated success, the 424 gain stage and what’s coming once he’s fully recovered

Guitar World

“He knew I wasn’t able to film. He knew I was in a lot of pain”: Josh Scott on how John Mayer ended up demoing JHS Pedals’ new Mk.gee-coded pedal – following the firm founder’s serious biking injury

Scott reveals how Mayer’s surprise demo video – in which he spoke of an ongoing revolution in guitar playing – came about

Guitar World

"So much more than just 'Mk.gee in a pedal', this clever little preamp box leaves plenty of room to find your own voice": JHS Pedals 424 Gain Stage review

Everyone is talking about the Tascam 424 Portatstudio. Does the first big brand attempt to bring this to your pedalboard live up to the hype?

Guitar World

“Our definition of what makes a ‘good’ guitar tone has changed dramatically in the past 10 years”: Does ‘bad’ guitar tone even exist anymore?

Guitarists are lusting after the sound of Portastudios and solid-state practice amps – tones that used to be derided in guitar circles. What changed?

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