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The Latest Breaking News from Indhu Rubasingham

The best theatre to stream this month: big and bold Bacchae ushers in new era at the National

Nima Taleghani’s debut play brings a raucous Greek chorus to the Olivier theatre, while Judi Dench has an enchanting Twelfth Night reunion

The Guardian - UK

Letitia Wright, Cate Blanchett and Sandra Oh to star in National Theatre shows

Lineup for 2026 includes a Molière adaptation and a mash-up of Sophocles and Ingmar Bergman

The Guardian - UK

Cate Blanchett to headline National Theatre’s ambitious 2026 line-up

Oscar-winning actor will star alongside Nina Hoss and Ella Lily Hyland in Benedict Andrews’ new production Electra / Persona this August

The Independent UK

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Cate Blanchett to perform at National Theatre as 2026 programme released

Killing Eve star Sandra Oh will also make her debut at the London theatre, while The Crown’s Lesley Manville will perform alongside Aiden Turner.

Evening Standard

Le Carré, Bacchae and radical feminist punk art – what to see and watch this week

John le Carré was a master of the spy novel – not by glamorising espionage, but by stripping it of illusion. His stories abandoned the trope of the suave, heartless agent in favour of morally complex characters navigating the shadowy ethics of Cold War intelligence. Gritty, ambiguous and deeply human,…

The Conversation

Hamlet review – a cocky prince of infinite jest runs riot at the National

Hiran Abeysekera brings humour to the tragedy and Francesca Mills steals the show as Ophelia but this staging pulls its emotional punches

The Guardian - UK

Hamlet at National Theatre: the Prince has ADHD in uneven production

3/5 Hiran Abeysekera in Hamlet at the Lyttelton Theatre is a production with plenty of ideas even if it is hit and miss

Evening Standard

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Bacchae is bold first choice for National Theatre’s new director

Warning: this article contains spoilers.

The Conversation

Hit and myth: Bacchae brings into view the National’s history of revamping Greek tragedies

Following in the footsteps of Peter Hall and Katie Mitchell, Indhu Rubasingham directs an ancient epic at the National Theatre. Bacchae reveals the virtues and vices of creating a new play from old

The Guardian - UK

Bacchae review – Indhu Rubasingham launches National Theatre tenure with new-gen rap tragedy

This eccentric take on Euripedes by Nima Taleghani is a striking yet often frustrating opening statement

The Guardian - UK

Bacchae at the National Theatre: 'Anarchic activism set to rap and dance'

3/5 The first play under new National Theatre Director Indhu Rubasingham is production of wild mood swings that ticks off issues but loses the plot

Evening Standard

Heartstopper star Nima Taleghani on his National Theatre debut: ‘I hadn’t even googled how to write a play’

The Heartstopper star’s exhilarating reboot of Euripides is the first debut play to grace the hallowed Olivier stage – but it nearly didn’t happen. ‘Its not in my bones,’ he says

The Guardian - UK

Dame Judi Dench and Sir Ian McKellen to reflect on careers at National Theatre

The event will be hosted by Downton Abbey actor Jim Carter.

Evening Standard

Labour plans risk excluding disabled people from workforce, say arts leaders

National Theatre and RSC directors among signatories to letter decrying proposed changes to Access to Work scheme

The Guardian - UK

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Evening Standard

Paul Mescal headlines National Theatre’s bold new season as Stormzy debuts for ground-breaking collaboration

The theatre unveils ambitious global vision with 16 new productions, including Mescal’s double debuts and a Stormzy-powered musical

Evening Standard

Paul Mescal to make National Theatre debut in two 20th century plays

It comes after it was announced the actor is play Sir Paul McCartney in four films directed by Sir Sam Mendes about The Beatles.

The Guardian - UK

Paul Mescal, Stormzy and the return of rep – National Theatre boss reveals her risky debut season

With star names, a Hamlet in shades, orgiastic murder and a miners’ strike musical, Indhu Rubasingham promises something for all. But can she attract newcomers while keeping diehards happy? And is she having sleepless nights?

The Guardian - UK

Decline of drama at school prompts UK training drive for backstage work

The National Theatre is worried about a shortage of skills from costume designers, to set creators, to computer technicians

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Evening Standard

From theatre to tech, fashion to football: Meet the 11 most inspiring women in London

From designer Martine Rose to tech powerhouse Baroness Gustafsson, these are the most iconic women in the capital

The Guardian - UK

James Graham unveils AI comedy at ‘greatest hits’ gala for Paines Plough

Playwrights and actors paid homage to the small but mighty UK theatre company that nurtured them, as part of a fundraising initiative for new writers

The Guardian - UK

Curtain up! Meet the new artistic directors with great plans for British theatre

Our theatre critic welcomes inspiring developments at stages across the UK, from the Young Vic to the Liverpool Everyman while, below, some of the top new recruits talk about working post-pandemic in an era of funding cuts – and share the secrets of their trade

The Guardian - UK

Women’s prize for playwriting returns with record £20,000 award

Prize aims to support and showcase established writers and emerging talent in Britain’s stage industry

The Guardian - UK

‘You become addicted to pressure’: Rufus Norris on success, stress and the National Theatre’s survival

He has triumphed over controversies, the ‘devastation’ of Covid and 100-hour weeks. As Norris leaves the biggest job in British theatre, he reveals his final season – and his plans to take up carpentry and design kayaks

Evening Standard

Peanut Butter & Blueberries at the Kiln Theatre review: a gentle, elegantly plotted love story

This is Indhu Rubasingham’s last production before she heads to the National Theatre – a promising indication of things to come

The Guardian - UK

‘It’s the talent pipeline’: inside the National Theatre’s hit-making hothouse

Where does the National send up-and-coming playwrights to have their ideas honed, pulled apart, rebuilt – and turned into dramatic dynamite? Our writer is granted rare access to the hallowed confines of ‘the Studio’

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