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The Latest Breaking News from Gibson

“Belying its stately, muted aesthetic, this is surely the most vicious artist series model in the Gibson catalog”: Gibson Mark Morton Les Paul Modern Quilt review

Lamb of God riff-master Mark Morton's Les Paul has been years in the making, subject to brutal road-testing, featuring a hot custom-wound humbucker pairing, but it's finally here

Guitar World

“A flamboyant guitar suited to a flamboyant performer”: T-Bone Walker’s Gibson ES-5N helped give rise to electric blues – and it’s been listed for $2 million

The workhorse guitar from the blues pioneer was thought to be lost forever until its recent re-emergence

Guitar World

“In ’73 it was listed in Melody Maker for £400. Glad you enjoyed it”: Phil Manzanera finally finds out the real story behind his iconic Firebird – 50 years after he bought it

The guitar’s previous owner has explained his side of the story

Guitar World

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“We hope that this project advances the broader recognition he so richly deserves”: Gibson honors Mick Ronson with limited-edition recreation of his iconic David Bowie Les Paul

The release is limited to just 100 copies, celebrating that guitarist that helped immortalize a rock ’n’ roll icon

Guitar World

“Most Fender colors were inspired by automotive trends. Candy Apple Red stood out because it came from the hot-rod scene”: Why Leo Fender’s favorite custom color finish still drives guitarists wild

As this small selection from a very large vintage collection proves, Candy Apple Red looks fantastic on any Fender guitar – but the process of applying it changed over the years

Guitar World

“I think Mick would be totally astonished that he’s still being talked about in such a positive way. This guitar just adds sparkle to an already legendary life”: Gibson unveils Murphy Lab replica of Mick Ronson’s Bowie-era 1968 Les Paul Custom

With the ebony finish stripped to reveal its two-piece plain maple top, mismatched controls, custom-wound pickups, this limited run reproduction is the spitting image of Ronson's original

MusicRadar

“I got up on stage and my guitar tech goes, ‘Slash wanted me to give you this.’ It was the ’59. It was dead silent in the room”: Joe Perry on the painful memory of selling his ’Burst – and why he’ll never forget the moment it came back to him

The Aerosmith guitarist was forced to sell his most cherished guitar in the late-’70s and spent years trying to get it back, until Slash made the ultimate guitar collector sacrifice

Guitar World

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“It took me forever to commit. Once I got there, I went, ‘I should have been doing this for a very long time’”: Joel Hoekstra was late to the Les Paul party – now he’s making up for lost time

The Whitesnake guitarist spent years playing Floyd Rose guitars, then Janis Joplin changed his world

Guitar World

“Knowing that I had the other one, Eric starts calling me and asking if I would sell it. He was offering me £200 for it, more than twice what I’d paid for it”: The history and mysteries of Eric Clapton’s Cream guitars

The history of Eric Clapton’s guitars during Cream’s brief but influential existence – from Fresh Cream to Goodbye – reveals an intriguing mixofinstruments but also offers up a mystery or two

Guitar World

“This could be one of the biggest steps forward in passive pickup design in years”: All the guitar gear that has caught my eye this week – including the most metal Jackson yet

A full-circle signature for Gary Clark Jr., as well as a potentially game-changing innovation from 3rd Power, headline this week's round-up

Guitar World

“It sounded perfect, man… like a gift from on high”: Is Slash's no. 1 Les Paul – which isn’t a Gibson – set for a Gibson reboot?

Slash’s Kris Derrig ’59 Les Paul has been his go-to recording guitar since Appetite for Destruction. And it sure looks like a Murphy Lab replica is on the cards

Guitar World

“I have the greatest respect for classical and jazz musicians. Their musicality is far greater than mine. But my imagination and inventiveness, most probably, is far greater”: Steve Howe on overcoming stage fright and the tragic fate of his Gibson ES-175

The Yes, Asia and GTR legend explains why drinking and playing guitar are “stupidly incompatible” and gives some love for the Line 6 Helix

Guitar World

“I had a poster on my wall of B.B. King playing Lucille. I always wanted one of those guitars”: Gary Clark Jr. comes full circle with a new signature Gibson ES-355 that pays homage to his hero

The stunning signature is a recreation of Gary Clark Jr.'s one-of-one Custom Shop model – and it channels his love for B.B. King

Guitar World

“I saw these at Guitar Summit last year and came away with one thought: this might be the guitar of my dreams”: All the new guitar gear that has caught my eye this week – including a long-awaited Lamb of God Les Paul

All-new drops from Kiesel, Manson, Gibson, Eastman, Taylor and more…

Guitar World

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Guitar World

“It didn’t work well at the time. Then it just became one of the most popular guitars ever made”: The latest in Gibson and Leo Scala’s Master Artisan Collection is a love letter to the O.G. Explorer – and our addiction to rare guitars

The legendary LA-based luthier digs into his reserves of korina for the '58 Addiction Explorer, 10 totally unique takes on the iconic Gibson electric

Guitar World

“Demonstrates just how extreme Gibson’s custom division was prepared to get in order to make a customer happy”: When is a Gibson Barney Kessel not a Gibson Barney Kessel? This 1967 unicorn explains all...

It looks like a Kessell and almost sounds like a Kessell, but upon closer inspection we have a custom order that’s a “total freak”…

MusicRadar

“Developed with Kirk Hammett’s guidance and built from specifications taken directly from the actual PAF humbuckers on that world-renowned guitar”: Gibson unveils the $449 Custom Shop humbucker set that will make your Les Paul sound like ‘Greeny’

Limited to 100 units worldwide, exclusive to Gibson, these are aged by the Murphy Lab to look just like the real thing

Guitar World

“The tone got me addicted – when it broke I’d say, ‘I can’t play!’” April Wine are hitting arenas again with Triumph – guitarist Brian Greenway discusses his hopes for a new album, and the pedal he couldn't live without

The last man standing from the Canadian band's best-known era recalls the making of classic songs, talks about being underrated, and explains how he’s modded the Les Paul Custom he’s had for over 50 years

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MusicRadar

The Beatles-approved J-160E makes its return as Gibson unveils a trio of Original Collection flat-tops celebrating the golden era of acoustic guitar making

It's time to tap up the new Originals, as the LG-00 50S, SJ-200 60s and the J-160E '60s join the present-day Gibson catalogue

Guitar World

“I never thought I would release a guitar with my own logo”: Epiphone teams up with Chinese pop icon WoWkie Da on a bold new J‑180 signature acoustic

The superstar has been an avid fan of Gibson and Epiphone for decades – and has solidified his mark in the Mandopop and pop-punk scene both as a solo artist and as a member of The Flowers

Guitar World

“Set your preconceptions of the band and brand aside – this is a very capable bass”: Epiphone Mike Dirnt Grabber G-3 review

A cult-classic Gibson bass gets a ressurection courtesy of Epiphone and Green Day's Mike Dirnt

Guitar World

“I asked for a cash discount. The shop assistant said, ‘I could phone up Eric Clapton and he’d come and buy it’”: Robert Fripp’s life in three guitars

The King Crimson founder has enjoyed the company of all kinds of guitars in his time –from the good, bad to the ugly – but these are the three that have meant the most to him

Guitar World

“An outline that’s both striking and original with an almost bygone vibe”: West Valley Indiana review

A new name on the UK’s vibrant guitar-making scene, West Valley comes to market with a vision inspired by the golden era of guitar design

Guitar World

“I struggle to think of any Fender that surpasses a Mary Kaye Strat in value or collector appeal”: Body dated January 1956, the first of its kind, played on an Aerosmith album – is this the holy grail of all holy grail Fender Stratocasters?

Only two features distinguished a Mary Kaye Stratocaster from any other Strat that might have rolled off Fender’s production line during the mid-to-late 1950s. So why are vintage examples so darn valuable?

MusicRadar

“I didn’t want something too radical but I also wanted something heavy metal”: Mark Morton and Gibson unveil a signature Les Paul Modern Quilt that brings the fire with a “flamethrower” bridge humbucker

The Lamb Of God guitarist's long-awaited Les Paul features an all-new set of ceramic humbuckers and is limited to just 350 units worldwide

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