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The Latest Breaking News from Gibson

The Gibson SG Standard has been played by Angus Young, Robby Krieger, Eric Clapton, Frank Zappa, George Harrison... and the list goes on – but is it still underrated?

Raising the bar for upper-fret access, the SG is the solidbody electric that took the world by storm, but doesn't get the respect it deserves

Guitar World

“Back then people would come with some great old Gibson that had been under the bed”: Lenny Kravitz used to buy guitars from fans in parking lots at his shows – here’s why he’s stopped

It was the strangest thing. Kravitz would be getting ready to get back on the bus and he'd make the gear purchase of his life – a vintage grail at a good price... Those days are gone

Guitar World

“The first time I played it, I had such a connection with it. I thought, ‘This is it. This is the one’”: On his 26th birthday in 1970, Jimmy Page played his beloved Les Paul Custom ‘Black Beauty’ at the climax of a legendary Led Zeppelin show

And soon after, that famous guitar vanished

MusicRadar

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"Where this guitar truly shines is under the fingers of a blues or folk picker": Epiphone Blues King Studio review

Epiphone takes a swing at a regal pint-sized parlour, but unfortunately, there are some QC issues

MusicRadar

“When I took it down for him to try out, he said, ‘I really don’t need any more of these’”: How a skeptical Slash ended up with one of the best ’50s Goldtops Gibson has ever found

Gibson's Certified Vintage Program manager, Mitch Conrad, discusses what it takes to unearth a musical gem – and how he convinced Slash to purchase one more Les Paul...

Guitar World

“I showed up on the first day of shooting, saying, ‘This is a guitar I bought at Guitar Center. I want to use my guitar in the movie’”: Jack Black reveals he still owns the Gibson SG that characterized School of Rock

The off-the-shelf guitar became a piece of cinematic history in 2003 when it was featured in the once-in-a-generation movie

Guitar World

“A Tube Screamer is a Tube Screamer. It’s one of the great cons of the guitar industry. They got these dirt boxes right the first time!” Why Jared James Nichols stopped obsessing over gear – and honed in on his playing instead

Freedom, says Nichols, is the knowledge you can pick up anyone's guitar and sound like you, and now the Nashville-based Les Paul wrangler is finding that freedom in songwriting

Guitar World

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“I was broke. I only had $200 and we booked a gig. There was this guitar at a pawn shop that had been there for years...” How George Thorogood stumbled across the Gibson that became his go-to guitar – a week before his first gig with the Destroyers

Thorogood recounts how he originally opted for a now-discontinued hollowbody – with a little inspiration from the Beatles and Keith Richards

Guitar World

“I learned to play everything on it. We wrote our first song as Jonas Brother on that guitar”: In the mid-2000s, the Jonas Brothers exploded onto the scene as a guitar-slinging band for teens – Kevin Jonas looks back on the guitar that started it all

Nowadays, Jonas has a penchant for Gibsons, but he hasn't forgotten the humble Japanese build that kickstarted his career

Guitar World

“Jimmy Page used one of our guitars. It was some of the best tremolo work I’d ever heard”: Paul Reed Smith on how he built his brand, secret PRS players – and why the internet is wrong about tonewood

Once the guitar brand for the one percent, the smash-hit success of the SE line took PRS Guitars mainstream, but for Smith, it’s still about trying to raise the bar and find new sounds

Guitar World

“I kept seeing outdated business models that didn’t make sense in today’s social media-driven world”: The unstoppable rise of signature guitar companies, as explained by Ola Englund

With more artist products available now than ever before, and an entire movement of brands run and owned by musicians, we investigate theevolution of signature guitar gear with a little help from the Solar Guitars founder

Guitar World

“I toured with Stevie Ray Vaughan when he was sober and he was a freak of nature. I couldn’t relate to his playing”: The Outlaws' Henry Paul on opening for The Rolling Stones, finding fame thanks to Lynyrd Skynyrd, and his one-of-one red Gretsch Falcon

The Gibson loyalist who’s served three stints with the Outlaws has been there, done that – played to stadium crowds, seen rock's greatest guitar heroes up close and witnessed prime-era Keith Moon debauchery

Guitar World

“Ken pulled this instrument out of this blanket and I was astonished. My jaw hit the floor. I’d never seen anything like it”: Remembering Ken Parker, the genius luthier who brought us the Parker Fly

One of the guitar world’s most visionary makers, who took the archtop guitar to unimaginable levels and also created the radical Parker Fly, has died aged 73

Guitar World

“One of the first times I met Noel, I was round his house. He went, ‘This is what I played on Don’t Look Back in Anger.’ I was like, ‘What?’” Gem Archer on the Strat’s secret spot in Oasis history

Noel Gallagher largely stays loyal to his Gibson guitars for Oasis – but there was one notable exception

Guitar World

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“We know for a fact that not all ’Bursts were great-sounding, but the surviving examples we played lived up to the legend”: I spent an evening with 7 original Gibson Les Paul ’Bursts from 1958 to 1960 – here's what I learned

There were two ’58s, an ex-Mick Taylor ’59; the exquisite ‘Minnesota’ ’59 ’Burst, and ‘Grainger’, too –but did a 1960 ’Burst made to ’59 spec steal the show?

Guitar World

“Loog and Gibson have done another great job creating a guitar for young children without patronising them”: Gibson x Loog Les Paul Special review

We asked a dad and his eight-year-old daughter to test out Loog's three-string guitar collaboration with Gibson that's aimed at absolute beginners

Guitar World

“I swear this guitar is destined to be in your hands. It literally has your initials carved into the headstock”: The strange tale of Marcus King’s latest vintage guitar find – the ‘MK Burst’ 1959 Les Paul

The Gibson guitar’s history is both beautiful and sad, and Carter Vintage Guitars knew King was the only player who could offer it a second life

Guitar World

Clean, almost all original, lightweight, with PAFs to die for – Gary Moore’s 1962 Gibson Les Paul/SG is a true grail

Sold at auction via Bonham's for around $27,385, was this Les Paul/SG one of the great bargains for vintage collectors and Gary Moore superfans?

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Guitar World

The Silver Sky cements its standing and Gibson makes up ground: Reverb has shared its best-selling guitars list for 2025 – and Fender's Indonesian experiment has paid off

The gear retailer's end-of-year results make for interesting reading, and offers telling insight into players' buying habits

Guitar World

“The first thing I said to him was, ‘You bought Greeny.’ He goes, ‘Yeah, I’ve got it. You want to play it?’” Iron Maiden’s Adrian Smith had a chance encounter with Kirk Hammett – and ended up babysitting his iconic Les Paul

The fabled Gibson has been making plenty of big-name players weak at the knees recently

Guitar World

“I think they sound in between a Fender and a Gibson”: Blues ace Larry McCray names the unsung guitar brand that convinced him to switch after a life of playing Gibsons

McCray says this brand is the perfect middle ground between two of the industry's big guns

Guitar World

“Bob Dylan had me, Eric Clapton, Dr. John, Ronnie Wood, Levon Helm and Paul Butterfield. It wasn’t the greatest music I ever played”: Bob Margolin on The Last Waltz, the jam party afterwards and his years with Muddy Waters

Blues veteran recalls the “reefer” moment that landed him a job with his hero, the Gibson archtop that’s seen in the movie, and how he stayed friends with Waters despite business matters

Guitar World

“Gibson wasn’t the only company to lose its mind in thrall to technology”: The 21st century gear trends that never caught on

Because not all innovations stand the test of time

Guitar World

“Gary was great on a 335 – he really, really pulled the expression out of that guitar”: Greeny and his Strats were his superstar electrics, but these ‘60s Gibson semi-hollows were Gary Moore’s workhorses – and they’ve still got the blues mojo

Serial number A33857, this stunning '60 ES-355TD was top-of-the-line in its day, and with his ’63 ES-335TD, offered Moore stunning tones. We took a closer look as they headed to an auction where they fetched around $94,000 and $65,000, respectively

MusicRadar

“Virtually every sound I conjure recalls a classic player or style: there’s something very special about mahogany and P-90s!” Gibson Les Paul Special Double Cut review

Along with the punk classic Les Paul Junior double-cut, the twin pickup Special is now readily available from Gibson USA. It might be stripped down but it’s a great platform for its two P-90s.

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