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The Latest Breaking News from Fender

“A heavy, luxurious appearance”: Fender Japan doubles down on its newfound affinity for sandblasting by putting an irresistible spin on its blackout Hybrid II models

Fender's experimental branch introduced some sandblasted Hybrid II instruments earlier this year – but they've been trumped by these stealthy designs, which all flaunt that unusual finishing technique

Guitar World

“This was the very first electric blues track I ever felt a strong connection to”: Joe Bonamassa pays tribute to Eric Clapton’s Stratocaster years

The blues guitar superstar and a vintage Strat from his Nerdville collection share a lesson that will make your Strat sing whether it’s a Custom Shop or a Squier

Guitar World

“World-class... It just feels like a vintage classic that never was”: Daniels Gravitas review

A fascinating reimagining of Gibson’s Firebird, the Gravitas sticks with vintage vibe and mojo. Oh, and that sound…

Guitar World

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“Bob Dylan asked me almost every day: ‘Hey, when are you going to sell me that ’64 Jazzmaster?’” Jason & the Scorchers’ Warner E. Hodges toured with Dylan, borrowed the Ramones’ gear – and played a Tele that survived a tractor

The cowpunk pioneer on the many guitar casualties of his slinging and spinning on stage, why switching from Fender to Gibson was “like learning another language”, touring with the Ramones and R.E.M. and making a Dylan song their own

Guitar World

“The first one ever in history is actually this guitar. Honestly, it still doesn’t seem real”: Fender’s first-ever official 7-string Stratocaster has become a reality – and it could be in line for a wider release

Chris Garza of Suicide Silence has just received the first-ever hardtail seven-string Fender Strat – it’s taken almost seven years to make, and he has big plans for the design

Guitar World

“Owens forever transformed country music”: Fender’s new Buck Owens signature guitars honor the late country great and revive some of his oldest custom guitar designs

The Bakersfield Sound pioneer and influential country icon was known for playing his custom red, white and blue guitars – and now they're officially back

Guitar World

Colin Greenwood's intimate portraits of Radiohead capture the band at work and play

Colin Greenwood's portraits of Radiohead have been collected in a new photography book, 'How To Disappear'

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“No-one’s seen me with a Tele before. I wouldn’t normally be caught dead with one – I think they’re ugly”: Mikael Åkerfeldt explains why a Fender Telecaster was the only guitar he used on Opeth’s new album

Åkerfeldt had secretly used a Tele when he recorded the soundtrack to Netflix's 2022 miniseries Clark, but never wielded one with Opeth before recording The Last Will and Testament

Guitar World

“Daron’s the guitarist, I’m the vocalist, and yet he was using my Strat… Then somebody stole it after breaking our car window”: Serj Tankian reflects on his guitar journey with System of a Down, Tony Iommi, Buckethead and beyond

In a rare guitar interview, Serj Tankian breaks down his “fast folk” playing style and upcoming signature Gibson Les Paul, his love of shredders, and freaking out Maynard James Keenan (and being freaked out by Buckethead)

Guitar World

“We decided, ‘Let's take the Jazzmaster out and put the Meteora in there to see if it's gonna work’”: Why Fender chose the Meteora over the Jazzmaster for its American Ultra II series

The Jazzmaster was notable in its absence from the new Ultra line-up, now, Fender’s Allen Abbassi explains why it chose to include the Meteora in its place

Guitar World

“One of the world’s most recognizable guitars”: Rory Gallagher’s 1961 Fender Stratocaster sells at auction for a whopping $1.16 million

The historic Strat – the sale of which attracted the attention of senior members of the Irish government, who hoped to keep the instrument in Gallagher's native country – went under the hammer along with dozens of other guitars from the legendary player's collection

Guitar World

“I’ve probably had an equal number of guitars stolen as what I’ve sold”: Joe Perry names the desert-island pickup that nobody talks about, explains why there are no bad tones, and makes an appeal for the cheap guitar he foolishly sold and wants back

Aerosmith and Hollywood Vampires’ swaggering six-stringer runs through his many exploits, leading a hundreds-strong collection of unique, vintage and always usable guitars

Guitar World

“We drove to a Guitar Center, ran in just before closing and bought a Fender P-Bass… we re-tracked almost every song on Enema of the State with it”: Mark Hoppus charts his bass origin story, embracing amp modelers and switching from Ernie Ball to Fender

In a rare interview, the blink-182 bassist shares his tone secrets, the bassline he still struggles to play, and how Ned’s Atomic Dustbin changed the way he approaches the bass

Guitar World

“He was backstage in the Marquee cleaning off his guitar and said, ‘Look!’ The paint was starting to come away in chips – he was almost crying”: How Rory Gallagher's 1961 Strat got its now-iconic relic’d finish

Gallagher's brother, Dónal, recalls the time Rory noticed that the paint on his beloved guitar was chipping away

Guitar World

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The Fender American Ultra II combine made-in-the-US quality with contemporary tech

A deluge of new products from Fender shows the iconic guitar manufacturer still knows how to innovate and entice

MusicRadar

“It’s designed to push boundaries and redefine what a Fender guitar can be”: Fender unveils the American Ultra II, US-made classic models revamped for high-performance feel and tone

The American Ultra II series features all-new pickups, compound radius fingerboards, premium components, fresh finishes and Fender’s “fastest-playing necks” as standard

Guitar World

“The sports car versions of all our classic models”: Fender’s new top-of-the-line American Ultra II guitars are more advanced than anything it has produced before – and feature its fastest necks yet

Upgraded pickups, a new neck profile, and a suite of high-end specs make up the all-new American Ultra II family, representing Fender's most cutting-edge guitar designs

Guitar World

“I worked on that crazy Fender Twin and never understood how it made such fabulous noise”: Stevie Ray Vaughan’s Twin Reverb amp, used in the recording of Texas Flood, Bowie sessions and live shows is up for sale... for over $600,000

The 1967 Twin is fitted with distinctive Electro Voice SRO 'coffee can' speakers, and was used by SRV during his Las Colinas rehearsals with David Bowie

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Tom’s Guide

This Bluetooth speaker is so cool I’d take it to house parties just to show it off — here’s why

The Fender x Teufel Rockster Go 2 is a compact, portable speaker with a slick retro vibe. With up to 28 hours of playback time and stereo mode with two or more speakers, this could be the best party speaker for sounding cool and looking even cooler.

Guitar World

“I wrote that riff on the Fender six-string bass. I saw Peter Green with Fleetwood Mac pick one up. I thought, ‘I’m gonna get one’”: Joe Perry on how he ditched his Les Pauls and Strats to write an Aerosmith classic

Perry had been eyeing the Fender Bass VI for quite some time – which turned out to be the perfect instrument to write 1976's Back in the Saddle

Guitar World

Fender Mustang Micro vs Mustang Micro Plus: is it worth upgrading?

We put Fender’s two headphone amps for guitar in a room together to duke it out

Guitar World

“When you follow this path, all roads lead to one man: Alexander Dumble”: Ian Moore on Dumble's inspiring legacy, the “snake oil” around the iconic amp-maker – and his own quest to design the perfect amp

If the perfect tone doesn't exist then why are we still search for it? As Austin powerhouse Ian Moore sees it, "the journey is the destination"

Guitar World

“I was broke and working in a car wash, and saw an ad in the paper for a ’52 Telecaster. I went to the guy’s place – it turned out to be Norm from Norman’s Rare Guitars”: The Band's Jim Weider on how he bagged his career-defining Fender Telecaster

After spending years searching for his dream '52 Telecaster, Weider describes how he finally managed to get his hands on the one that would accompany him throughout his illustrious career

Guitar World

“The only person to get a good sound out of that bass was Berry Oakley. It's got so many pickups!” Berry Oakley set the template for the Allman Brothers Band with a modified ’72 Jazz Bass, known as ‘The Tractor’

Oakley added a Hagstrom Bi-Sonic pickup to his 1972 Jazz Bass, giving him a total of three pickups and five control knobs

MusicRadar

“It’s the perfect combination of vintage Fender vibe and modern high-tech performance”: Fender expands its Tone Master lineup with a tweed-covered '59 Bassman – a lightweight, digital-brained 4x10 with mojo to burn

One of the most iconic amps in the Fender lineup gets the Tone Master treatment and you know what that means: old-school tone in a lightweight format, with modern features like power scaling, effects loop and balanced XLR out with cab sims

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