Rare copy of Othello shows a cast list involved in real-life murder drama A 1655 edition of Shakespeare’s tragedy names members of an acting troupe, one of whom was slain in an eerie echo of the play The Guardian - UK · Mar 26, 2023
Shakespeare’s woman, Harry’s disguise, and what on earth is ‘goblin mode’ – take the Thursday quiz Fifteen questions on general knowledge and topical trivia, plus a few jokes every Thursday. How will you fare? The Guardian - UK · Dec 8, 2022
Othello at the National Theatre review - Giles Terera shines in this powerful, brutal staging Almost everything in Clint Dyer’s production is harsh and stark Evening Standard · Dec 1, 2022
Othello review – Clint Dyer makes this tragedy feel utterly new Giles Terera stars in a thrilling production with a radical climax that explores the domestic violence in Shakespeare’s play The Guardian - UK · Dec 1, 2022
Othello review – Frantic Assembly’s urgent, thrilling tragedy This physical, modern-day version is immersed in violence, with gang members vying for sex and authority around a pool table The Guardian - UK · Sep 22, 2022
Otello review – a truly compelling and long overdue revival American tenor Russell Thomas – the first black man to sing the title role at Covent Garden – delivers a searing and shattering performance The Guardian - UK · Jul 13, 2022
Otello at Royal Opera House: Russell Thomas is Covent Garden’s first black singer in the role Russell Thomas had striking stage presence in this revival of Keith Warner’s production Evening Standard · Jul 13, 2022
Nothello review – clever and joyful, Shakespeare upended Desdemona’s twins step forward to speak out against the racist tropes that led to their parents’ tragedy in this inclusive, urgent production The Guardian - UK · May 12, 2022
Decolonising Shakespeare: setting Othello in Ghana and Pericles in Glasgow Over the last few years, the issue of decolonising the curriculum has become a growing concern for UK universities. This means recognising the legacy of western colonialism and rethinking the way we teach and research. The Conversation · Jan 17, 2022