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The Latest Breaking News from Desdemona

The week in theatre: The Forsyte Saga, Parts 1 and 2; Othello – review

Over five hours, John Galsworthy’s family epic unfolds with intimate clarity on an almost bare stage. At the RSC, Emilia and Desdemona steal the show

The Guardian - UK

Othello review – RSC’s sculptural, a-capella-scored production unfolds with rare clarity

John Douglas Thomas and Juliet Rylance reprise their New York roles as Othello and Desdemona, while Will Keen is all gripe and snipe as shaven-headed Iago

The Guardian - UK

Dame Maggie Smith: ‘the complete actor’

The former cabaret star, who died on Friday aged 89, dazzled in everything from Shakespeare to Harry Potter

The Guardian - UK

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Dame Maggie Smith: Oscar-winning Harry Potter and Downton Abbey star dies, aged 89

Giant of stage and screen was one of Britain’s most successul stars

The Independent UK

Maggie Smith, Oscar-winning star of stage and screen, dies aged 89

In a career that began in the 1950s, her roles ranged from Desdemona to Miss Jean Brodie, Virginia Woolf and Minerva McGonagall

The Guardian - UK

Gudrun Ure obituary

Actor who found fame late in her career, after landing the role of the children’s TV character Super Gran

The Guardian - UK

Comedian Kate McKinnon to release wonderfully weird book for young readers

Discover the wonderfully weird world of Kate McKinnon's new book, The Millicent Quibb School of Etiquette for Young Ladies of Mad Science. Get an exclusive...

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The week in theatre: Till the Stars Come Down; Othello; Plaza Suite – review

Beth Steel’s battling Notts wedding guests are a treat; Ola Ince’s Met police Othello makes horrible sense; and Matthew Broderick and Sarah Jessica Parker star in a creaking Neil Simon revival

The Guardian - UK

Othello at Shakespeare's Globe review: arresting update set in the toxic Met Police feels horribly credible

This intimate, powerful production transposed from Venice to the Met in London refreshes the play and feels horribly credible

Evening Standard

Is it OK to use the word ‘homeless’ – or should you say ‘unhoused’?

The use of the term unhoused has grown exponentially in the last few years, and those who have adopted it say it emphasizes a lack of affordable housing

The Guardian - US

Never underestimate a droid: robots gather at AI for Good summit in Geneva

Ai-da, Desdemona, Nadine and Geminoid join world’s largest gathering of humanoids to promote AI as force for good

The Guardian - UK

Rare copy of Othello shows a cast list involved in real-life murder drama

A 1655 edition of Shakespeare’s tragedy names members of an acting troupe, one of whom was slain in an eerie echo of the play

The Guardian - UK

Shakespeare’s woman, Harry’s disguise, and what on earth is ‘goblin mode’ – take the Thursday quiz

Fifteen questions on general knowledge and topical trivia, plus a few jokes every Thursday. How will you fare?

The Guardian - UK

Othello at the National Theatre review - Giles Terera shines in this powerful, brutal staging

Almost everything in Clint Dyer’s production is harsh and stark

Evening Standard

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The Guardian - UK

Othello review – Clint Dyer makes this tragedy feel utterly new

Giles Terera stars in a thrilling production with a radical climax that explores the domestic violence in Shakespeare’s play

The Guardian - UK

Othello review – Frantic Assembly’s urgent, thrilling tragedy

This physical, modern-day version is immersed in violence, with gang members vying for sex and authority around a pool table

The Guardian - UK

Otello review – a truly compelling and long overdue revival

American tenor Russell Thomas – the first black man to sing the title role at Covent Garden – delivers a searing and shattering performance

Evening Standard

Otello at Royal Opera House: Russell Thomas is Covent Garden’s first black singer in the role

Russell Thomas had striking stage presence in this revival of Keith Warner’s production

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The Guardian - UK

Nothello review – clever and joyful, Shakespeare upended

Desdemona’s twins step forward to speak out against the racist tropes that led to their parents’ tragedy in this inclusive, urgent production

The Conversation

Decolonising Shakespeare: setting Othello in Ghana and Pericles in Glasgow

Over the last few years, the issue of decolonising the curriculum has become a growing concern for UK universities. This means recognising the legacy of western colonialism and rethinking the way we teach and research.

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