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Supported by Dior, Charleston’s ‘Bring No Clothes’ explores the Bloomsbury Group’s use of – and influence on – fashion, featuring works by Dior, Fendi, Comme des Garçons and more, alongside original clothing and ephemera

An enormous part of a museum's success depends on its curators. At Paris's Palais Galliera fashion museum, curator Alexandre Samson has declared 1997 a year unparalleled in its influence on global fashion. It was the year Jean-Paul Gaultier designed the costumes for Luc Besson’s film "The Fifth Element", Comme des…

No smart-casual wardrobe is complete without an Oxford

LOS ANGELES — In the fall of 1982, Jean-Michel Basquiat was living at art dealer Larry Gagosian's Venice Beach home, making swarms of new paintings in his private wing of the house. Gagosian had been "electrified" by the 21-year-old artist's work at New York's Annina Nosei Gallery about a year…

Including Rei Kawakubo, Virgil Abloh and Martin Margiela, ‘Fashion to Furniture’ at Paris’ A1043 gallery looks towards the fashion designers who have turned their hands to furniture

Wallpaper* picks the finest fashion stores New York has to offer, from rare vintage finds and downtown designers to big-name boutiques

Mismatched, ill-fitting, ‘ugly’ clothes are in. Alexandra Jones looks at their appeal for a generation who are sick of being sold perfection

With the fashion industry’s night of nights upon us, Laura Hampson charts the most show-stopping moments of Galas gone by

With the fashion industry’s night of nights upon us, Laura Hampson charts the most show-stopping moments of Galas gone by

Introducing the hike-ready SR90 and SR901E.

Continuing the duo's long history of sneaker collabs.