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The Latest Breaking News from Claude Cahun

The daring women artists of last century were often sidelined as muses. A new book celebrates their brilliance

When I first studied art history in the late 1960s, all artists were men. It seemed, back then, that the act of rendering an image in line and colour, or visualising pure emotion, was confined to the gender that controlled society at the time.

The Conversation

50 Photographs From 1890 To 1950 That Witnessed History Unfold

50 Photographs From 1890 To 1950 That Witnessed History Unfold

This list takes nostalgia to an entirely new level. We're winding back the clock and taking a look at photos from the late 1800s, more than a century ago. The post 50 Photographs From 1890 To 1950 That Witnessed History Unfold first appeared on Bored Panda.

Dismissed, excluded and now adored: the revenge of the women surrealists

Dismissed, excluded and now adored: the revenge of the women surrealists

Written off as ‘muses’ and denied entry to the movement, they still produced extraordinary work that is only now being appreciated. We enter a gender-breaking world of occult worship – and cats

The Guardian - UK

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Femmes in the frame—a curator's pick of women in photography at Paris Photo and beyond

Paris Photo and beyond

Claude Cahun’s surreal challenging of gender placed her a century ahead of her time

‘Claude Cahun: Beneath this Mask’, the Hayward Gallery Touring exhibition, is at Lakeside Arts in Nottingham until 17 March 2024

Feast your eyes, feed your soul: the 31-day art diet for January

Brighten up dark January with our one-a-day selection of works of art chosen and introduced by the Observer’s art critic

The Guardian - UK

Nothing Ever Just Disappears by Diarmuid Hester review – room with a view

Hester underlines the importance of place in this study of seven queer lives, from EM Forster to Josephine Baker

The Guardian - UK

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Nothing Ever Just Disappears review – fascinating journeys into LGBTQ+ courage

Nothing Ever Just Disappears review – fascinating journeys into LGBTQ+ courage

Diarmuid Hester’s travelogue celebrates the history of queer spaces in 20th century subculture, from Josephine Baker’s Paris to EM Forster’s Cambridge

The Guardian - UK

Nukes in the brooks: the artists who weaponised landscape art

Nukes in the brooks: the artists who weaponised landscape art

From a cruise missile Constable to a rampaging neon giant, artists have always used rural settings to confront the uses and abuses of land. We go behind the scenes at a riveting new Liverpool show that captures their rebellious spirit

The Guardian - UK

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