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The Latest Breaking News from Guitar World

“I had a really bad detox. I fell down a flight of stairs. I screwed up my shoulder and neck and couldn’t play guitar for a while. I thought God had taken it all away”: How Ace Frehley came back from the brink with his first solo album in 20 years

In 2009, the late Spaceman took GW inside the inner workings of rock’s makeup-clad warriors – like that time he forged ahead after getting electrocuted onstage – and explained why he always valued spontaneity over rigorous practice

Guitar World

“Instant, precise control right under your foot”: This innovation might have completely changed the way you dial in effects pedals forever

The Knobyfier could revolutionize the way you interact with your pedalboard

Guitar World

“That’s the last barrier we have to tear down”: The one thing stopping headless guitars being embraced by traditional players, according to Ola Strandberg

Strandberg instruments have been pigeonholed as metal guitars, but the company wants guitarists to realize they aren't just for prog players

Guitar World

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This Japanese guitar maker is fashioning phone cases that make your mobile look like vintage instruments – and the internet is going crazy for them

Moonshine Craft & Custom has been overwhelmed by demand for its phone cases, which flash burst finishes and pickguards

Guitar World

“I hate new basses. I think they are terrible. I don’t want to have one in my hands”: How Sting’s 1953 P-Bass set the tone for this Police classic

Taken from the fourth Police album, Ghost in the Machine, Sting's fretwork is filled with chord inversions, syncopations, and dynamics – all the right stuff for a dynamite bassline

Guitar World

“A first-class build that’s impossible to fault… it would be criminal if this didn’t hit a stage”: Patrick James Eggle Oz-t Cabronita Thinline review

Upholding the craft of the luthier, Patrick James Eggle’s latest build is another reason to look to the UK if you want the best

Guitar World

“Who’d have thought the Oasis reunion would be such an event for signature guitars?” All the guitar gear that has caught my eye this week – including the Hummingbird’s evil twin

A host of highly anticipated signatures, some surprising company-firsts, and the evil twin of the classic Hummingbird all landed this week

Guitar World

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“Me and Chino rowed a lot when we were working on it. It was a really abrasive process”: Deftones' White Pony was one of the first metal masterpieces of the new millennium. Its creation was anything but smooth sailing

Resident riffmaster Stephen Carpenter minced no words in this 2000 interview, rolling his eyes at “our friends” Korn, and even – before walking it back – calling his bandmate's guitar-work “awful.” Still, though, he was proud of the band's “really awesome record”

Guitar World

“It’s become impossible to operate sustainably as a predominantly brick and mortar musical instrument retailer in the UK”: Scotland’s Kenny’s Music is the latest guitar shop chain to close its doors – despite strong sales figures

Kenny’s had a physical presence in Glasgow, Aberdeen, and Dunfermline and its closure continues a worrying trend that has seen UK gear heavyweights GAK and PMT go to the wall

Guitar World

“Matt and MGW have collaborated for several years to fine-tune the pedal… And the results will astonish you”: Manson Guitar Works' debut fuzz pedal is here, but will Matt Bellamy’s high-end boutique stompbox be worth the wait?

Co-designed by the Muse frontman, designed to go into your amp or direct to desk, and built in partnership with Thorpy FX, the Supermassive Black Fuzz is a lot of pedal – and it ain't cheap

Guitar World

"Will it knock your socks off? For some, absolutely, but for me, I find it works admirably in a cranked rig and stacks nicely with other gain pedals": Warm Audio Tube Squealer overdrive pedal review

Warm Audio’s latest overdrive machine serves up the three greatest hits of the 'Green Screamer' overdrive in one stompbox

Guitar World

“What Dire Straits would sound like if Mark Knopfler grew up in the deserts of Algeria rather than the streets of Newcastle”: October 2025 Guitar World Editors' Picks

Liven up your Halloween with six-string (and five-string) sorcery from Alter Bridge, Mei Semones, Whitney, Karma Sheen, Jacob Collier, Unprocessed, and many more

Guitar World

“It was about completing the circle and us showing what James and I as guitar players did to change the world”: Dave Mustaine reveals why Megadeth are covering Metallica on their final album

Megadeth's new album will find Mustaine and co playing a Metallica classic, co-written by Mustaine in the early days, and MegaDave promises us we've never heard Ride the Lightning like this before

Guitar World

“Looking forward to seeing what the future holds”: Eric Gales joins Stephen Carpenter, Devin Townsend and Sophie Lloyd in the Kiesel artist ranks – is a signature guitar in the works?

The blues maestro previously worked with Magneto Guitars, but his surprise move to Kiesel could lead to a new signature

Guitar World

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“I sold it to the boyfriend of a girl I knew. 30 years later I said, ‘Do you still have it?’ He sold it back for the same price I sold it for – $225”: Xan McCurdy on Cake, dumping Joe Satriani, and buying the wrong guitar thanks to Keith Richards

Obsessed with the British bands of the mid ‘60s, McCurdy started playing to impress his older friends, and was delighted to wind up in a band that used trumpet while grunge was exploding

Guitar World

David Gilmour is a master of melodic bluesy phrasing – here are 3 ways to cop his style in your own playing

Whether you call these solo ideas minor blues or embellished pentatonic/blues scale, the effect is the same, freeing you up from established patterns to hold your audience's attention

Guitar World

“Ranking guitar players is tough for me… Being a guitar player is all about self-expression”: Samantha Fish on the magic of 335s, “best” players – and why the North Hill Country Delta blues is a bottomless well of inspiration

With her latest studio release, Paper Doll, the Kansas City blues rocker bottles the energy of life on the road and goes in search of hooks, hooks, hooks

Guitar World

“There’s a lot of dark times associated with the band. Scott came in and provided the fun”: Scott Sorry, former Wildhearts bassist, has died aged 47

His family says “he outlived every doctor's expectation” following a glioblastoma diagnosis

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Guitar World

Putting the HSS into SRV? Ibanez’s new AZ signature model is like the voodoo child of Stevie Ray Vaughan’s #1 Strat

Ibanez teams up Chinese guitar virtuoso Gaofunk for a classy MIJ Prestige series S-style that's giving us GAS big-time

Guitar World

“The tones you've been listening to for 20 years right at your feet”: The Adventure Box crams Tom DeLonge’s Angels & Airwaves sounds into a 2-in-1 stompbox

The collaborative pedal, crafted by Utility Belt FX, comprises a compressor and a delay for pop-punk power

Guitar World

“I had no idea that show would be my last. The whole thing felt like a divorce”: How Paz Lenchantin’s departure from the Pixies led to her first-ever solo album

She’s played in some of alternative music’s biggest bands. Now Lenchantin is back with a solo album fueled by a vintage P-Bass that Billy Corgan inspired her to buy

Guitar World

“A couple of Ace’s people were furious. I got cornered by a couple who were asking if I had a problem”: Justin Hawkins on his run-in with Ace Frehley – who saw the funny side to their ‘spat’

The Darkness frontman felt a good-natured tirade had landed him in hot water

Guitar World

“The fact that Martin was willing to do that for these guitars makes me really happy”: Jason Isbell’s new Martin signatures revive his prized pre-war acoustic – and it wasn’t an easy task

Two takes on Isbell’s prized acoustic have been joined by a signature string set

Guitar World

“Helped define Oasis’ sound”: Bonehead and Gem Archer both get signature Epiphones – and they’re recreations of 2 classic Oasis guitars

A gift from Noel Gallagher and a legendary 1984 Riviera helped shape the Oasis sound. Now, both are back as new signatures for the band's two loyal guitarists

Guitar World

“When I go, ‘Let’s try a Marshall,’ and we put it in, I go, ‘I don’t like that!’ Marshalls hurt my ears these days”: Ricky Byrd on tracking with Joan Jett, his Franken-Tele that sounds nothing like a Tele, and how sobriety has improved his playing

Byrd has seen the world of rock ’n’ roll go through changes, but one thing he’s stuck with is his “tricky” approach to playing – and he’s full of optimism for the future

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