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The Latest Breaking News from Guitar World

“Way more rare than a Klon”: JHS Pedals pays tribute to mysterious pedal builder with the Coyote – a new fuzz based on one of the rarest pedals of all time

The three-in-one fuzz is based on G.S. Wyllie’s Moonrock – and it took Josh Scott six years to find one

Guitar World

“I just remember thinking, ‘I can’t play this thing’”: Why Steve Vai struggled to play Brian May’s iconic Red Special

Vai was just a youngster when May invited him to a Queen rehearsal – and offered him the chance to play the legendary six-string

Guitar World

“I got to play with Layne and Chris and Lanegan. Now they’re gone. What would they be doing now? That haunts me to this day”: Mike McCready opens up on his new rock opera, the Seattle jams that changed him, and the future of Pearl Jam

Farewell to Seasons documents McCready’s path through the Seattle grunge explosion of the ’90s. He reflects on the singers he’s loved and lost, the guitarists who left the biggest mark on his playing and why going digital has made him a better player

Guitar World

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“The phone rang. It was Paul McCartney. That’s when I knew we’d found it”: We meet the man who reunited Paul McCartney with his long-lost Beatles bass

Stolen in 1972, Paul McCartney’s missing Höfner resurfaced in a family’s attic 51 years after it disappeared. But it took some tracking down…

Guitar World

“Björn and I met and discussed what it could look like. It had to be shiny and sparkling”: How a Swedish luthier used by Led Zeppelin and Eric Clapton created the iconic ABBA star guitar

Meet Göran Malmberg, maker of the ultimate glam-rock axe that Björn Ulvaeus of ABBA walked on the Eurovision stage with in 1974

Guitar World

"I need to be honest about how well this pedal holds up for down-tuning against the newer competition it faces": DigiTech Drop Limited Black Edition review

The Polyphonic Drop Tune pedal first landed in 2014, and now a limited run in a new finish gives us a good opportunity to check where it stands today

Guitar World

“It’s not a Bowie tribute, though it’s hard for people not to think of us as that, because look who we have”: How David Bowie's longest-serving guitarist became the hero in his own story

KillerStar might be populated by Bowie alumni, but with guitarist-vocalist Rob Fleming fronting, The Afterglow is a record with its own unique flavor, says Earl Slick

Guitar World

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“An unlikely combo of samba and shred – it shouldn’t work but it kinda does”: March 2026 Guitar World Editors’ Picks

Collaborative instrumental greatness from six-string aces new and old (SatchVai), bossa nova guitar bliss, sublime slide work, swashbuckling 12-bar blues... we've had it all this month

Guitar World

“His legacy will live on through the instruments he created”: Doug Irwin, legendary maker of Jerry Garcia’s record-shattering Tiger and Wolf guitars, dies aged 76

Irwin made five guitars for Garcia, two of which became some of the most expensive guitars of all time when they sold at auction

Guitar World

“I often feel powerless but in response to this tragedy I decided to use my craft to take action”: How a luthier built an acoustic guitar that celebrates Palestinian heritage – raising money for medical aid along the way

Gary Leddington utilized his craft, and his surrounding community, to build a one-of-a-kind acoustic that features Palestinian motifs

Guitar World

“We can’t let anything happen to it”: Ziggy Marley on the whereabouts of Bob Marley’s iconic Les Paul Special – and why he prefers a Strat now

Marley Senior’s legendary Les Paul was his prime stage and studio guitar

Guitar World

“I believe with all my heart that it will translate to something good”: Lindsey Buckingham teases reunion with Stevie Nicks following renewed interest in their pre-Fleetwood Mac album

The two publicly fell out in 2018 and Buckingham subsequently left Fleetwood Mac

Guitar World

The world’s first generative AI guitar creates playable parts from user prompts – and teaches you how to play them

It’s designed to help beginners master the basics via a rhythm game-like learning experience

Guitar World

“He had a knife to my groin. I was petrified. He went for my guitar”: Mikael Åkerfeldt on nearly losing his prized PRS on the way to record a landmark Opeth album – and why he doesn’t deserve a signature model (even though he’s got one)

The Opeth mastermind on being robbed as they made Blackwater Park, what he hated about Kurt Cobain’s ’53 Martin D-18 and loved about Hank Williams’ ’40s D-18, the ’90s band he still adores and the ’70s guitarist he still worships

Guitar World

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Guitar World

“After mine was stolen, I didn’t have time to go to the factory, so they just handed me this 10-string”: The 10-string oddity that became one of Joe Perry’s most iconic guitars – even though he hardly played it in Aerosmith

Perry and B.C. Rich go way back. The Aerosmith guitarist looks back on the most outlandish guitar the brand ever made him, the ’70s Bich 10 Supreme

Guitar World

“I can't walk away, so I've come back to do the thing I know how to do best, which is play”: Eric Clapton's Crossroads Guitar Festival announces 2026 lineup

Now in its seventh edition, the festival is set to take place in Austin, Texas – and features Buddy Guy, Joe Bonamassa, and John Mayer, while Trey Anastasio, Tommy Emmanuel, Julian Lage and Pete Townshend are all making their Crossroads debut

Guitar World

“Purple Haze felt impossible at first, but it was such an accomplishment once I got it”: Courtney Barnett on leftie legends, and embracing the Olympic White Stratocaster

The Aussie songwriter discusses how her pedalboard changes off stage, asking Waxahatchee to guest, and being inspired by Cobain, Hendrix, and McCartney

Guitar World

“A high-octane character that’s occasionally stubborn, but it stands out from the crowd”: Fender 75th Anniversary American Professional Classic Cabronita Telecaster review

The Telecaster’s “asshole cousin” trades traditional twang for a boutique growl that looks as sharp as it sounds

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Guitar World

“Bet you haven’t seen this before”: Prog maestro Josh De La Victoria shows off new multi-scale 7-string S-type – and Misha Mansoor wants one

The custom build gives the classic guitar design an ultra-modern makeover, and it’s hard not to marvel at the results

Guitar World

“It sounds like nature coming through the speakers”: Jimmy Page shares rare home recorded demo of Led Zeppelin’s Ten Years Gone

The song, from Physical Graffiti, was demoed by Page before he linked up with the band at Headley Grange in the 1970s

Guitar World

"His guitar was his life’s breath”: Tributes pour in as The Dictators and Manowar guitarist Ross “The Boss” Friedman dies aged 72

His passing comes just weeks after a fundraiser was set up to aid his battle with amyotrophic lateral sclerosis (ALS)

Guitar World

“There is not another guitarist in the world who plays like him. As raw as John Lee Hooker and sophisticated as Andrés Segovia from one phrase to another”: The life and times of Grateful Dead icon Bob Weir

We salute the Grateful Dead original, who – in the last 30 years of his life – stepped out from Jerry Garcia’s considerable shadow to emerge as a guitar hero in his own right

Guitar World

“You really can't ask us what song to play. If we have to choose one song, it's almost impossible”: Rush's Alex Lifeson and Geddy Lee perform with new drummer Anika Nilles for the first time at Canada's Juno Awards

The duo previewed what fans can expect from their highly-anticipated Fifty Something reunion tour, which kicks off in June

Guitar World

“I can still see them shaking their heads. I knew I’d lost the gig right there”: Pepper Keenan recalls the moment he knew he’d failed his audition to be Metallica’s bassist

Keenan was one of many hopefuls to try out for the Metallica gig as James Hetfield and co looked to find Jason Newsted's replacement

Guitar World

“When it came out, there was no experimental reverb pedal category. Ifeel like it’s the first. Quote me on that!” How EarthQuaker Devices went beyond the boutique pedal boom and took left-field tones mainstream

EQD founder Jamie Stillman on the pedal that made the company famous, why the overcomplicated is not for him, and the stompbox that serves death metal and country guitarists alike

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