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The Latest Breaking News from Guitar World

“A growing global movement to ensure his legacy is never forgotten”: Petition launched for Randy Rhoads memorial statue in his hometown of Burbank

The project already has the backing of Randy’s sister, as well as his former Ozzy bandmate

Guitar World

“I’d put his riffs up against anyone in rock today. He’s as good as Homme or Morello”: First he got a DM from Pearl Jam, now Stone Gossard is hailing him as one of the best riffers in the business

The Pearl Jam guitarist took British alt-rock trio Tigercub out of their comfort zone – leader Jamie Hall was dialing Marshalls to 10, down-tuning a gift from Rabea Massaad, and finding tones that take enamel off your teeth

Guitar World

“I couldn’t believe he was a guitar player”: Ritchie Blackmore says most guitarists aren’t nice people – but names one player who bucks the trend

Blackmore reserves particularly high praise for one of his Deep Purple successors

Guitar World

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“People phoned in, saying, ‘If you play that song again, I’m going to firebomb your station!’” How XTC battled the “rottweiler” Todd Rundgren and their record label to make their breakthrough

Andy Partridge reflects on Skylarking, a change of direction for XTC that was the most difficult of births under producer Todd Rundgren's direction and the label’s interference

Guitar World

“I never liked the electric guitar. I’m just not drawn to it”: The life and times of Ralph Towner, the endlessly curious frontiersman of acoustic jazz who worked with everyone from Bill Bruford to Robben Ford

Taking influence from Indian classical, Brazilian bossa nova and beyond, this late jazz master’s touch and vision equalled anyone on the fusion scene

Guitar World

“The best times of heavy metal were over… My concept was a new guitar design in the style of the ’40s or ’50s”: How Duesenberg Guitars became a major player with original old-school designs – and a little help from Mike Campbell

We check in with Duesenberg Guitars’ co-owners, Dieter Gölsdorf and Ingo Renner, to chart 30 years of its best-selling Starplayer

Guitar World

“Their first record was very different from the record they made after they met me and the guys in Metallica”: Dave Mustaine on the influence he had on the Big Four of thrash metal

Mustaine makes a compelling argument that he directly inspired the likes of Kerry King and Scott Ian

Guitar World

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“I thought I’d got over my Mk.gee-inspired Jaguar hype, but Fender has sent me spiraling down the rabbit hole again”: All the guitar gear that caught my eye this week – including the most futuristic Epiphones ever created

Big drops from Fender, Gibson, Marshall and more headline the round-up this week

Guitar World

“When the session was over, Mickie said, ‘Nope, Peter can’t be in your band. There’s only going to be one star, and that’s you’”: Suzi Quatro reveals Peter Frampton nearly joined her band – but was rejected by her producer

In 1972, Quatro released her first single after she moved to England – and there are a couple of familiar names in the credits

Guitar World

“A Strat with a P-90 at the bridge and a Jazzmaster pickup at the neck is not going to sound like anything else Fender makes”: Ariel Posen on Jeff Beck, amp strategies and how his thirst for fresh tones inspired one of the most unorthodox Strats ever

Posen's new album, Bannatyne, finds the Canadian flipping the script for rock guitar, exploring in full the creative potential of that quite brilliant signature Strat of his

Guitar World

“I was on a summer break from music college. Suddenly, I had a DM asking if I would be interested in a gig with Little Mix”: From Raye to Zara Larsson, how session pro Liv Thompson learned to nail pop’s biggest gigs

Having performed everywhere from SNL to the Grammys, Thompson knows a thing or two about the bass and its role in pop

Guitar World

"Modeling tech has gotten so good I doubt many guitarists would be able to tell the difference": Analog vs. digital rig build challenge - here’s how two very different players would spend $2,500

One player puts his stake in tubes and pedals; the other in IRs and FRFRs. We gave them both $2,500 to build the ultimate mid-tier rig

Guitar World

“Sometimes you’ve gotta use popsicle sticks and put it on some low-budget scaffolding to get it to work”: Joe Bonamassa on how best to set up P-90s – and what sets them apart from humbuckers

Bonamassa has explained the difference between humbuckers and P-90s, as more big names are drawn towards the “best of both worlds” option

Guitar World

Built to inspire: Yamaha heralds a new era for the Pacifica with long-awaited SC Standard Plus model

Yamaha expands its acclaimed range of Pacifica electrics with the SC Standard Plus – which offers new Reflectone pickups and premium playability

Guitar World

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Guitar World

“For King, there was nothing particularly special about the show… It would go on to rank among the best live albums of all time”: The life and times of B.B. King

To celebrate the King of the Blues' centenary, we rewind the reels of a life story that’s equal parts pain and redemption…

Guitar World

“It’s a little bit of an odd duck, but it is cool and I would love to use it for recording. It would be a monster in the studio”: Decoding the mysteries of the 1967 Martin D-35S with the slotted headstock

Martin’s slope-shouldered dread style meets innovative three-piece rosewood backs in this slept-on design from an undervalued period in the acoustic brand's storied history

Guitar World

“I learned that the hard way at rehearsals”: How Jason Falkner got the Foo Fighters gig filling in for Pat Smear – and the biggest mistake he made in prep

The guitarist was drafted in as emergency cover after Pat Smear's bizarre injury

Guitar World

“I got my first guitar for Christmas at the age of 11. I had a book that said, ‘Tune your low string wherever it sounds good…’”: How Stanley Jordan accidentally stumbled upon the tuning that defined his genius two-hand tapping approach

A basic error would later become his saving grace

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Guitar World

“A small yet mighty gig bag hero”: Mesa/Boogie launches powerhouse preamp/DI with all the tone-shaping capabilities of its high-end Subway line

A blockbuster sequel to the original, the Subway+ Bass DI‑Preamp II offers bassists everything they need in one compact housing that's 40 per cent smaller than its predecessor

Guitar World

“His dad got him a guitar. The next day he came back playing Black Magic Woman by Santana. He was obsessed with being great at guitar”: Prince was destined to become a guitar legend as soon as he started playing

Prince’s cousin and former bandmate has recalled the day the Purple One became a guitarist – and seemingly skipped the beginner phase

Guitar World

"Its thoughtfully contoured hourglass shape is nipped and tucked in all the right places to nestle naturally against the (female) body in a way many traditional designs simply don’t.": Venus Revolution review

A featherweight double-cut challenging decades of one-size-fits all guitar design

Guitar World

“Paul McCartney likes to control things under the guise of saying, ‘Play as free as you like.’ Then he’ll start to pick it all apart”: Chris Spedding’s favorite sessions

From handling Jack Bruce’s temper, to Brian Eno’s budget studio and Macca’s post-Beatles era, the UK session veteran picks his most treasured moments

Guitar World

"It gives my $2,800 American Vintage II Telecaster a serious run for its money": Fender 75th Anniversary Vintera Road Worn 1951 Telecaster review

Fender is celebrating the 75th anniversary of the Telecaster in style, and this Road Worn model is an exceptional ode to the first-ever mass-produced solidbody electric guitar

Guitar World

“It was like, ‘Here’s what we need.’ They said, ‘But you have to use Fender parts.’ I said, ‘Alright, I’ll see you guys later’”: Steve Morse on why his ill-fated Fender signature guitar never got off the ground

Before partnering with Ernie Ball Music Man for his now-iconic signature, Morse was courted by Fender – but the project didn’t get far

Guitar World

“I said, ‘We gotta re-record this. This is terrible. I cannot allow this to happen’”: How Linda Perry saved 4 Non Blondes’ ’90s classic What's Up? from certain doom

Released in 1992 as the second single from their sole studio album, What's Up? became 4 Non Blondes' biggest and most enduring hit

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