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The Guardian - UK
The Guardian - UK
Entertainment
Claire Armitstead

Wuthering fights: the play that shows the Brontës were bigger backstabbers than the Kardashians

Suppressions and alterations … from left, Rhiannon Clements, Gemma Whelan and Adele James in Underdog: The Other Other Brontë.
Suppressions and alterations … from left, Rhiannon Clements, Gemma Whelan and Adele James in Underdog: The Other Other Brontë. Photograph: Felicity McCabe

Natalie Ibu is about to make her National Theatre debut directing a new play about the Brontë sisters, but the Kardashians keep creeping in. “I’m constantly comparing them, because they’re the ultimate disruptors – and they’re also three sisters with a brother that no one really remembers. We may not like what they stand for, but they are successful and exquisite at what they do,” she says.

Ibu is well aware that some will see this as an appalling slight against the 19th-century daughters of a country clergyman, who disrupted the canon by producing some of the most important novels in the English language. She means no disrespect, either to them or to those who know and revere their work, “but the idea that we can’t talk about the Kardashians in the same breath as the Brontës I find deeply offensive,” she says. “Our audiences are cultural consumers who go wherever they find something they like. I want them to be fans of theatre in the way that they’re a fan of Harry Styles.”

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