A uniform grey nimbostratus has blocked the rays of the London sun the day I speak to Gianfranco Rosi, but this consummately Italian film-maker is feeling right at home. “When Jean Cocteau visited Naples, he wrote a letter to his mother in which he said, ‘Vesuvius makes all the clouds in the world.’ And I think that’s a beautiful image.” He gives a gracious nod to the blanket of grey outside the window. “I am sure there is one cloud over London today that has come straight from southern Italy.”
Rosi, 62, has earned his reputation as one of Europe’s most important documentary-makers with highly original and poetic portraits of Italian places. His 2013 film Sacro GRA – the first documentary to win the Golden Lion at the Venice film festival – followed a motley cast of characters who live or work on the ringroad that circles Rome. Fire at Sea, which scooped the Golden Bear at the Berlinale three years later, was a study of the inhabitants of the island of Lampedusa and the people who arrived there on perilously crowded boats at the height of the refugee crisis. It elevated Rosi to an elite circle of directors to have won the top prize at two of Europe’s three main film festivals.
