There is a photograph of Tomi Adeyemi staring out from the cover of her new novel, The Siren. It is an arresting image: her face fills the frame, unsoftened by a smile, her piercing gaze fixed directly on the viewer. “It’s terrifying – like the Mona Lisa, staring at you everywhere,” she says, laughing.
Using an author portrait on the cover of a novel is highly unusual, and a decision that Adeyemi says is a statement of ownership. After 12 years spent inside the world of Children of Blood and Bone – the first book in the YA trilogy that made her a literary star and its film adaptation which has become a source of profound distress – Adeyemi wanted this book to belong unmistakably to her.
