Joe Sacco is one of a very small number of graphic novelists who have smashed through into the mainstream. His masterwork is Palestine, a collected volume of single-issue comic books he created in the 1990s, documenting the violence in Gaza. His technique is to embed as a journalist in a war zone and interview people on the street, telling their stories with pictures. Lessons on global politics emerge from ultra-local conflict and depictions of day-to-day life.
Palestine propelled Sacco to fame, drawing comparisons with Maus, Art Spiegelman’s two-volume saga about Polish Jews during the Holocaust with Nazis portrayed as cats, and Jews as mice. These works are sold prominently in bookshops, not in musty basements packed with racks of polyethylene-sheathed superhero comics. Alongside a couple of others, Maus and Palestine signalled that graphic novels, as they became known, could be serious works of fiction, nonfiction and journalism. Palestine itself is as depressingly relevant today as it was in the 1990s. In December 2023, it was reprinted for the first time in a decade, after selling out following the 7 October attacks.
