Joan Didion entered the fray on the publication of Ernest Hemingway’s unfinished final manuscript in an essay titled Last Words in 1998: “You think something is in shape to be published or you don’t, and Hemingway didn’t,” she wrote. You believe a writer’s unpublished work is fair game after their death or you don’t, and Didion – it would seem – didn’t.
Debate about the ethics of posthumous publication has been ignited once more, this time with Didion at its centre. After the writer’s death in 2021, about 150 pages were found in a file next to her desk. These were meticulous accounts of sessions with her psychiatrist, from 1999 to 2003, focused mainly on her adopted daughter Quintana, who was spiralling into alcoholism. Addressed to her husband, screenwriter John Gregory Dunne, this journal has been published under the title Notes to John. “No restrictions were put on access,” we are told in a brief, anonymous introduction, presumably the ghostly hand of her literary estate.
