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The Guardian - UK
The Guardian - UK
Entertainment
Chris Wiegand

Solitude Without Loneliness review – bad dates, frenzied flyering and the spirit of the fringe

Missed chances for connection … Jorga Follina and Alex Henderson in Solitude Without Loneliness.
Missed chances for connection … Jorga Follina and Alex Henderson in Solitude Without Loneliness. Photograph: Brian Hartley

The dry title belies a show with spark. Solitude Without Loneliness can feel like several fringe shows in one as Malcolm Sutherland’s dance-theatre production takes an early detour into sketch comedy and then continues to change gears.

As a choreographer, Sutherland is interested in the perks and perils of isolation and he forms a trio with Jorja Follina and Alex Henderson, who are all initially alone together. Against the stark towers cast by Simon Gane’s lighting design, the three writhe in a state of undress, faces covered by their clothing. It’s a straightforward yet surprisingly effective way to establish a piece about depersonalisation, matched by muffled voices on Hörður Már Bjarnason’s rumbling soundscape and muted costumes by Alison Brown.

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