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The Guardian - UK
The Guardian - UK
Entertainment
Rachel Cooke

Morning After the Revolution by Nellie Bowles review – the perils of failing to toe the party line

Protesters gather in the Capitol Hill Autonomous Zone in Seattle, Washington, June 2020
‘A police-free utopia’: the Capitol Hill Autonomous Zone in Seattle, Washington, June 2020. Photograph: Zuma Press, Inc/Alamy

Morning After the Revolution by the American journalist Nellie Bowles is a wickedly enjoyable book about the madness that seemingly began to inflame the brains of a certain cohort of the liberal intelligentsia about four years ago (its author dates the fever to the pandemic, but I think – personal information! – it began some time before then). It was a delirium that took her, as it did many people, a little by surprise, not least because she in theory belonged to this subsection herself: at school, where she was for a while the only out gay person, she ran around sticking rainbows all over the place; after college she was known to go to readings at Verso Books (“my God, I bought a tote”); when her girl Hillary was “about to win” she was “drinking with I’m With Her-icanes at a drag bar”. But once she’d noticed it, she couldn’t ignore it. Her instinct was to whip out a thermometer and ask a few pertinent diagnostic questions.

Asking questions, though, is (or it certainly was… things may be shifting now) verboten in the time of madness. Either you’re for the ideological buffet – every single dish – or you’re against it, and must eat at the bad restaurant where all the mean people hang out, a place that is otherwise known as “the wrong side of history”. When the insanity started, Bowles was working in Los Angeles for the New York Times, a job she’d dreamed of since childhood, and there her curiosity soon began to piss off some of her colleagues. When she went on to fall in love with a full-blown dissenter, the columnist Bari Weiss, who’s now her wife, she found herself on the outside of something, looking in. Morning After the Revolution is an account of her adventures in this topsy-turvy realm, in both the period before and after she left the NYT in 2021 (she and Weiss now run the Free Press). It comprises a series of reported colour pieces in which she touches on such things as diversity, equality and inclusion (DEI) programmes, the campaign to defund the police, trans rights and (briefly) the crystal display she noticed when Meghan and Harry did pandemic Zooms from their home in Montecito.

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