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Evening Standard
Evening Standard
Entertainment
Nick Curtis

I'm Every Woman – The Chaka Khan Musical: Tedious and utterly un-funky

“Dys-FUNK-tional” muttered my guest halfway through this tedious and utterly un-funky biographical jukebox musical about Chaka Khan, and I nearly surrendered my job to him then and there. The show augments the lauded singer’s scattered hits from the 70s onwards – Tell Me Something Good, I Feel For You, Ain’t Nobody – with work from other artists: this soundtrack is shackled to a by-the-numbers tale of triumph over adversity and addiction.

The script (by Khan’s creative director Nia T. Hill) is bad. The projection-based designs are bad. The cartoonish cameo appearances by Stevie Wonder, Whitney Houston, Miles Davis and others are traducingly awful. The singing voices of a cast led by an extravagantly bewigged Alexandra Burke are pretty much the only saving grace, though the garish costumes are fun in a Wembley-hen-night kind of way.

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