Paterson Joseph is, by his own admission, an unlikely opera librettist. He had turned 50 by the time he got round to going to one, and only went because he was in it, as the “crazy” voice of God in Kurt Weill and Bertolt Brecht’s Rise and Fall of the City of Mahagonny. “It’s not my world,” says the actor. But therein lies part of his mission: as a black Londoner written off by the school system, his life was transformed by the goldmine he discovered while truanting down at his local library.
One of his discoveries, as “a melancholy teen”, was Pushkin’s verse novel Eugene Onegin. “I remember getting it out of the library,” he says, “just because it was a small book. And I started reading this poem out loud, at night in my bedroom. And I laughed – but I was also frightened and frustrated, weeping at the tragedy of it. When I closed the book, it was dawn.”
