
An electric guitar hums, then yawns, then lashes out aggressively, without abandon, in every direction.
It sounds like some free-form live Sonic Youth interlude, or Andy Gill's snarling, feedback-laden intro to Gang of Four's Anthrax. In parts – especially the moments where you can catch bits of proto-tapping – it bears a striking resemblance to Eddie Van Halen's Eruption, more in structure than in particulars.