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MusicRadar
MusicRadar
Entertainment
Andy Price

“He was the only one who found it necessary to perform - which was useless”: The Beatle who had to be cut from Pink Floyd’s Dark Side of the Moon

Paul McCartney.

Pink Floyd’s 1973 opus The Dark Side of the Moon has an abundance of myths surrounding it. There’s its compelling, yet elusive concept - which drifts listeners along the ebb and flow of time - and out beyond the limits of sanity. Then there’s the gamut of state-of-the-art technology, synths and all-new recording processes deployed during its making. And, of course, there’s that still-persistent urban legend around it synchronising perfectly with The Wizard of Oz.

Its a record infused with magic and mystery, which didn't prevent it from becoming one of the biggest-selling albums of all time.

Apt then that such a totemic record was assembled at Abbey Road (then known as EMI Studios) - the creative HQ of the previous decade’s most prolific band.

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