The Deutsche Börse photography foundation prize is back, with four shortlisted artists, each nominated for a solo exhibition or book presented or published in the last year. It’s a quiet, solemn and laconic show ranging from lyrical, captivating portraits of Versace-clad Black cowboys in the American south to a woman hugging rocks.
The show begins with the least interesting work. Cristina de Middel, a former photojournalist and now president of Magnum, is nominated for the second time. Here, a slice of her vast exhibition Journey to the Center, staged in a spectacular 15th-century church during the Arles festival last year, is re-created. The installation tries to be dynamic – a bright orange wooden framework cuts through the middle of the space; photographs are placed next to blown-up versions of Mexican Lotería cards – but it can’t cover up the blandness of De Middel’s work.
