Every year on August 15, the Gràcia neighbourhood of Barcelona is awoken by a pyrotechnic procession of diables, or “fire devils”, running through its narrow streets, shortly followed by groups of drummers. As revellers dance to the rhythm of percussion and explosions, noise and smoke fill the neighbourhood, transforming its atmosphere and marking the beginning of the neighbourhood’s seven-day local festivities.
These annual events – known as correfocs – are an integral part of the neighbourhood’s fabric. But lifelong exposure to extreme noise takes a major toll on the performers’ health, in particular their hearing. So why do they keep showing up?