Brazilian pianist Amaro Freitas approaches the 88 keys of his piano as if they were drums. Across three albums since his 2016 debut Sangue Negro, Freitas has honed a style of muscular, complex rhythm within jazz improvisation. Often playing different metres in each hand, he encompasses everything from folk maracatu polyrhythms on 2018’s Afrocatu to staccato, mechanical repetitions on 2021’s Sankofa.