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The Guardian - AU
The Guardian - AU
Entertainment
Jordan Prosser

A relic of horny Hollywood: why The Mummy remains a classic bisexual awakening movie

Rachel Weisz and Brendan Fraser in front of a camel
‘There is unfakeable chemistry between the two romantic leads’: Rachel Weisz and Brendan Fraser in The Mummy. Photograph: Universal Pictures/Allstar

At the threshold between life and death sits the ancient Egyptian city of Hamunaptra … and at the threshold of many a millennial adolescence (including mine) sits 1999’s The Mummy, a story about a hot lunk (Brendan Fraser) and a sexy nerd (Rachel Weisz) learning first-hand the consequences of expatriating cultural artefacts.

A turn-of-the-millennium Spielbergian blockbuster with shades of the superhero craze to come, Stephen Sommers’ desert romp remains dizzyingly fun to this day. Both masterfully well-made and refreshingly horny, it is one of the last great examples of a specific mode of multiplex entertainment now all but lost to the sands of time: the mid-budget action-adventure movie.

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